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Anubis was the guardian of the dead, who greeted the souls in the Underworld and protected them on their journey. It was he who deemed the deceased worthy of becoming a star. Ancient Egyptian texts say that Anubis silently walked through the shadows of life and death and lurked in dark places. He was watchful by day as well as by night. He also weighed the heart of the dead against the feather symbol of Ma'at, the goddess of truth. One of the reasons that the ancient Egyptians took such care to preserve their dead with sweet-smelling herbs was that it was believed Anubis would check each person with his keen canine nose. Only if they smelled pure would he allow them to enter the Kingdom of the Dead.

Anubis was portrayed as a jackal-headed man, or as a jackal wearing ribbons and holding a flagellum in the crook of its arm. Some think that he was not pictured as a jackal but as a dog, fox, wolf, or hybrid instead. Very rarely is he ever shown fully human. Anubis was always shown as a black jackal or dog, even though real jackals are typically tan or a light brown. To the Egyptians black was the color of regeneration, death, and the night. It was also the color that the body turned during mummification. The reason for Anubis' animal being canine is based on what the ancient Egyptians themselves observed of the creature - dogs and jackals often haunted the edges of the desert, especially near the cemeteries where the dead were buried. In fact, it is thought that the Egyptians began the practice of making elaborate graves and tombs to protect the dead from desecration by jackals. A statue of Anubis, jackal-form, was found in Tutankhamen's tomb. When pet dogs died, they were mummified and buried in temples dedicated to Anubis.

Following the merging of the Ennead and Ogdoad belief systems, as a result of the identification of Atum with Ra, and their compatibility, Anubis became considered a lesser god in the underworld, giving way to the more popular Osiris. Indeed, when the Legend of Osiris and Isis emerged, it was said that when Osiris had died, Osiris' organs were given to Anubis as a gift. Since he had been more associated with beliefs about the weighing of the heart than had Osiris, Anubis retained this aspect, and became considered more the gatekeeper and ruler of the underworld, the "Guardian of the veil" (of "death"). As such, he was said to protect souls as they journeyed there, and thus be the patron of lost souls (and consequently orphans). Rather than god of death, he had become god of dying, and consequently funeral arrangements. It was as the god of dying that his identity merged with that of Wepwawet, a similar jackal-headed god, associated with funerary practice, who had been worshiped in Upper Egypt, whereas Anubis' cult had centered in Lower Egypt.

As one of the most important funerary rites in Egypt involved the process of embalming, so it was that Anubis became the god of embalming, in the process gaining titles such as "He who belongs to the mummy wrappings", and "He who is before the divine [embalming] booth". High priests often wore the Anubis mask to perform the ceremonial deeds of embalming. It also became said, frequently in the Book of the Dead, that it had been Anubis who embalmed the dead body of Osiris (which would make him the older sibling of Horus), with the assistance of the other main funerary deities involved - Nephthys and Isis. Having become god of embalming, Anubis became strongly associated with the (currently) mysterious and ancient imiut fetish, present during funerary rites, and Bast, who by this time was goddess of ointment, initially became thought of as his mother.

No public procession in Egypt would be conducted without an Anubis to march at the head, the "go-between" of gods and men. The ancient Egyptians swore "by the Dog" when making oaths they would not break.

However, as lesser of the two gods of the underworld, he gradually became considered the son of Osiris, but Osiris' wife, Isis, was not considered his mother, since she too inappropriately was associated with life. Instead, his mother became considered to be Nephthys, who had become strongly associated with funerary practice, indeed had in some ways become the personification of mourning, and was said to supply bandages to the deceased. Subsequently, this apparent infidelity of Osiris was explained in myth, in which it was said that a sexually frustrated Nephthys had disguised herself as Isis in order to appeal to her husband, Set, but he did not notice her as he was infertile (some modern versions depict Set as a homosexual, but these have little bearing on the original myth). However, Isis' husband Osiris mistook Nephthys for his wife, which resulted in Anubis' birth. Other versions of the myth depict Set as the father, and it remains unclear as to whether Set was truly infertile or not.

In later times, during the Ptolemaic period, as their functions were similar, Anubis was identified as the Greek god Hermes, becoming Hermanubis. The centre of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name simply means "city of dogs". In Book XI of "The Golden a**" by Apuleius, we find evidence that the worship of this god was maintained in Rome at least up to the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages and the Renaissance.

Although the Greeks and Romans typically scorned Egypt's animal-headed gods as bizarre and primitive (they mockingly called Anubis the "Barker"), Anubis was sometimes associated with Sirius in heaven, and Cerberus in hell.

Early Christians were also repulsed by Anubis; the writer Tertillian claimed that the Egyptians practiced a "despicable religion" in which the worshiper is "led like a slave by the greedy throat and filthy habits of a dog." Although it is true that his two emblematic creatures, the jackal and the dog, were in the ancient world notorious scavengers, one of the main functions of Anubis was to release the human body at death from the uncleanness that possessed it. He washed the body, embalmed it, perfumed it with myrrh, wrapped it with clean linen and received it at the door of the tomb – to the Egyptians he was "Lord of the Cleansing Room." As the Greeks and Christians did not embalm the bodies of their dead (and death itself was considered to be a terrifying thing), they associated the holy Anubis with disease and decay.

Amongst the group who believed in the Ennead, a form of Egyptian mythology centred in Heliopolis, Geb (also spelt Seb, and Keb) was the personification of the earth, and indeed this is what his name means - earth, and thus it was said that when he laughed, it caused earthquakes. Since the Egyptians held that their underworld was literally that, under the earth, Geb was sometimes seen as containing the dead, or imprisoning those not worthy to go to Aaru.

In the Ennead, he is the husband of Nut, the sky, the son of the primordial elements Tefnut (moisture) and Shu (dryness), and the father to the four lesser gods of the system - Osiris, Set, Isis, and Nephthys. In this context, Geb was said to have originally been engaged in eternal sex with Nut, and had to be separated from her by Tefnut. Consequently, in early depictions he was shown reclining, with his phallus pointed towards Nut.

As time progressed, the hieroglyph used in his name became more associated with the habitable land of Egypt, and so thus vegetation. Likewise, since it was used as his name, he too became associated with vegetation, with barley being said to grow upon his ribs, and was depicted with plants and other green patches on his body. Gradually, vegetation began to be thought of as something that ought to be fat, and plump, and so the hieroglyph was used in these words too.

Because of this association with fatness, and vegetation, and so forth, the individual glyph became used as the word for goose. Indeed, the accession of a new pharaoh was announced by releasing four wild geese, to the four corners of the sky, to bless his reign with prosperity. This led to Geb's name also taking the meaning goose, and so, it was for this reason that Geb became called the Great Cackler, and subsequently represented as a black goose, where black represented the fertile soil. When the Ennead and Ogdoad later merged, it was thus Geb who was considered the goose who laid the egg from which Ra emerged.

His association with vegetation, and sometimes with the underworld, also brought him the occasional interpretation that he was the husband of Renenutet, a minor goddess of the harvest, who was the mother of Nehebkau, a god associated with the underworld, who was on the same occasions said to be his son by her. He is also the predecessor of the Greek titan Kronos.

Isis is a goddess in Egyptian mythology. She was most prominent mythologically as the wife and sister of Osiris and mother of Horus, and was worshipped as the archetypal wife and mother.

Her name literally means "(female) of throne", that is, "Queen of the throne", which was portrayed by the emblem worn on her head, that of a throne. However, the hieroglyph of her name originally meant "(female) of flesh", i.e. mortal, and she may simply have represented deified, historical queens.

Her origins are uncertain but are believed to have come from the Nile Delta; however, unlike other Egyptian deities, she did not have a centralised cult at any point throughout her worship. First mentions of Isis date back to the Fifth dynasty of Egypt which is when the first literary inscriptions are found, but her cult became prominent late in Egyptian history, when it began to absorb the cults of many other goddesses. It eventually spread outside Egypt throughout the Middle East and Europe, with temples dedicated to her built as far away as the British Isles. Pockets of her worship remained in Christian Europe as late as the 6th century.

As the deification of the wife of the pharaoh, the first prominent role of Isis was as the assistant to the deceased king. Thus she gained a funerary association, her name appearing over 80 times in the Pyramid Texts, and was said to be the mother of the four gods who protected the canopic jars - more specifically, Isis was viewed as protector of the liver-jar-god Imsety. This association with the Pharaoh's wife also brought the idea that Isis was considered the spouse of Horus, who was protector, and later the deification, of the Pharaoh himself. Consequently, on occasion, her mother was said to be Hathor, the mother of Horus. By the Middle Kingdom, as the funeral texts spread to be used by non-royals, her role also grows to protect the nobles and even the commoners.

By the New Kingdom, Isis gains prominence as the mother / protector of the Pharaoh. She is said to breastfeed the pharaoh with her milk, and is often depicted visually as such. The role of her name and her throne-crown is uncertain. Some egyptologists believe that being the throne-mother was Isis' original function, however a more modern view states that aspects of the role came later by association. In many African tribes, the king's throne is known as the mother of the king, and that fits well with either theories, giving us more insight into the thinking of ancient Egyptians.

In another area of Egypt, when the pantheon was formalised, Isis became one of the Ennead of Heliopolis, as a daughter of Nut and Geb, and sister to Osiris, Nephthys, and Set. As a funerary deity, she was associated with Osiris, god of the underworld (Duat), and thus was considered his wife. The two females - Isis and Nephthys were often depicted on coffins, with wings outstretched, as protectors against evil.

A later legend, ultimately a result of the replacement of another god of the underworld when the cult of Osiris gained more authority, tells of the birth of Anubis. The tale describes how Nephthys became sexually frustrated with Set and disguised herself as the much more attractive Isis to try to seduce him. The ploy failed, but Osiris now found Nepthys very attractive, as he thought she was Isis. They coupled, resulting in the birth of Anubis. In fear of Set's anger, Nephthys persuaded Isis to adopt Anubis, so that Set would not find out. The tale describes both why Anubis is seen as an underworld deity (he is a son of Osiris), and why he couldn't inherit Osiris' position (he was not a legitimate heir), neatly preserving Osiris' position as lord of the underworld. However, it should be remembered that this story was only a later creation of the Osirian cult who wanted to depict Set in an evil position, as the enemy of Osiris.

In another myth, Set had a banquet for Osiris in which he brought in a beautiful box and said that whoever could fit in the box perfectly would get to keep it. Set had measured Osiris in his sleep so that he was the only person that could fit in the box. Once it was Osiris' turn to see if he could fit in the box, Set closed the lid on him so that the box was now a coffin for Osiris. Set flung the box in the Nile so that it would float far away. Isis went looking for the box so that Osiris could have a proper burial. She found the box in a tree in Byblos, and brought it back to Egypt and hid it in a swamp. Set went hunting that night and found the box. To make it so Isis could never find Osiris again, Set chopped Osiris' body into fourteen pieces and scattered them all over Egypt. Isis and Nephthys, her sister went looking for his pieces, but could only find thirteen of the fourteen. The last piece, his p***s, had been swallowed by a crab, so Isis fashioned one out of gold. Isis used her magic to put Osiris' body back together. Isis managed to bring Osiris back to life for one night, in which they conceived Horus.

Beliefs about Ra himself had been hovering around the identification of Ra, a sun god, with Horus, another sun god (as the compound Ra-Herakhty), and so for some time, Isis had intermittently been considered the wife of Ra, since she was the mother of Horus. Consequently, since there was not anything logically troubling by identifying Isis as Ra's wife, Hathor unlike identifying Ra as her own son, she and Hathor became considered the same deity, Isis-Hathor. Sometimes the alternative consideration arose, that Isis, in the Ennead, was a child of Atum-Ra, and so should have been a child of Ra's wife, Hathor, although this was less favoured as Isis had enough in common with Hathor to be considered one and the same.

It was this merger with Hathor that proved to be the most significant event in the history of Egyptian mythology. By merging with Hathor, Isis became the mother of Horus, rather than his wife, and thus, when beliefs of Ra absorbed Atum into Atum-Ra, it also had to be taken into account that Isis was one of the Ennead, as the wife of Osiris. However, it had to be explained how Osiris, who as god of the dead, was dead, could be considered a father to Horus, who was not considered dead. This led to the evolution of the idea that Osiris needed to be resurrected, and so to the Legend of Osiris and Isis, of which Plutarch's De Iside et Osiride contains the most extensive account known today, a myth so significant that it is the most famous of all Egyptian myths.


A statue of Isis nursing Horus, housed in the Louvre.Yet another set of myths detail the adventures of Isis after the birth of Osiris' posthumous son, Horus. Many dangers faced Horus after birth, and Isis fled with the newborn to escape the wrath of Set, the murderer of her husband. In one instance, Isis heals Horus from a lethal scorpion sting; she also performs other miracles in relation to the so-called cippi, or the plaques of Horus. Isis protected and raised Horus until he was old enough to face Set, and subsequently became the king of Egypt.

In order to resurrect Osiris for the purpose of having the child Horus, it was necessary for Isis to learn magic, and so it was that Isis tricked Ra (i.e. Amun-Ra/Atum-Ra) into telling her his "secret name", by causing a snake to bite him, to which Isis had the only cure, so that he would use his "secret name" to survive. This aspect becomes central in magic spells, and Isis is often implored to use the true name of Ra while performing rituals. By the late Egyptian history, Isis becomes the most important, and most powerful magical deity of the Egyptian pantheon. Magic is central to the entire mythology of Isis; arguably more so than any other Egyptian deity.

In consequence of her deeply magical nature, Isis also became a goddess of magic (though Thoth was always the leading god of magic). The prior goddess to hold the quadruple roles of healer, protector of the canopic jars, protector of marriage, and goddess of magic, Serket, became considered an aspect of her. Thus it is not surprising that Isis had a central role in Egyptian magic spells and ritual, especially those of protection and healing. In many spells, she is also completely merged even with Horus, where invocations of Isis are supposed to automatically involve Horus' powers as well.

After the authority of Thebes had risen, and made Amun into a much more significant god, it later waned, and Amun was assimilated into Ra. In consequence, Amun's consort, Mut, the doting, infertile, and implicitly virginal mother, who by this point had absorbed other goddesses herself, was assimilated into Ra's wife, Isis-Hathor as Mut-Isis-Nekhbet. On occasion, Mut's infertility and implicit virginity was taken into consideration, and so Horus, who was too significant to ignore, had to be explained by saying that Isis became pregnant with magic, when she transformed herself into a kite and flew over Osiris' dead body.

Mut's husband was Amun, who had by this time become identified with Min as Amun-Min (also known by his epithet - Kamutef). Since Mut had become part of Isis, it was natural to try to make Amun, part of Osiris, the husband of Isis, but this was not easily reconcilable, because Amun-Min was a fertility god and Osiris was the god of the dead. Consequently they remained regarded separately, and Isis was sometimes said to be the lover of Min. Subsequently, as at this stage Amun-Min was considered an aspect of Ra (Amun-Ra), he was also considered an aspect of Horus, since Horus was identified as Ra, and thus Isis' son was on rare occasions said to be Min instead, which neatly avoided having confusion over Horus's status as was held at being the husband and son of Isis.

In Egyptian mythology, Ptah (also spelt Peteh) was the deification of the primordial mound in the Ennead cosmogony, which was more literally referred to as Ta-tenen (also spelt Tathenen), meaning risen land, or as Tanen, meaning submerged land. The importance Ptah was given in history can readily be understood since the name Egypt derives from Classical Greek Aigyptos which in turn derives from the native name of a temple at Memphis (transcribed as Ḥwt-k3-Ptḥ or Hut-ka-Ptah "temple of the Ka of Ptah").

It was said (in the Shabaka Stone) that it was Ptah who called the world into being, having dreamt creation in his heart, and speaking it, his name meaning opener, in the sense of opener of the mouth. Indeed the opening of the mouth ceremony, performed by priests at funerals to release souls from their corpses, was said to have been created by Ptah. Atum was said to have been created by Ptah to rule over the creation, sitting upon the primordial mound.

In art, he is portrayed as a bearded mummified man, often wearing a skull cap, with his hands holding an ankh, was, and djed, the symbols of life, power and stability, respectively. It was also considered that Ptah manifested himself in the Apis bull.

In Memphis, Ptah was worshipped in his own right, and was seen as Atum's father, or rather, the father of Nefertum, the younger form of Atum. When the beliefs about the Ennead and Ogdoad were later merged, and Atum was identified as Ra (Atum-Ra), himself seen as Horus (Ra-Herakhty), this led to Ptah being said to be married to Sekhmet, at the time considered the earlier form of Hathor, Horus', thus Atum's, mother.

Since Ptah was the primordial mound, and had called creation into being, he was considered the god of craftsmen, and in particular stone-based crafts. Eventually, due to the connection of these things to tombs, and that at Thebes, the craftsmen regarded him so highly as to say that he controlled their destiny. Consequently, first amongst the craftsmen, then the population as a whole, Ptah also became a god of reincarnation. Since Seker was also god of craftsmen, and of re-incarnation, Seker was later assimilated with Ptah becoming Ptah-Seker.

Ptah-Seker gradually became seen as the personification of the sun during the night, since the sun appears to be re-incarnated at this time, and Ptah was the primordial mound, which lay beneath the earth. Consequently, Ptah-Seker became considered an underworld deity, and eventually, by the Middle Kingdom, become assimilated by Osiris, the lord of the underworld, occasionally being known as Ptah-Seker-Osiris.

Legend has it that Ancient Egyptians believed saying Ptah's name would give the spouse of the speaker great fertility.

Ptah's original name in Ancient Egyptian is reconstructed to have been pronounced as *Pitáḥ based on the occurrence of his name in hieroglyphics, ptḥ, surviving into Coptic as Ptah, just as it is now written in English. The name was also borrowed early on into Greek as Φθα Phtha.

In Egyptian mythology, Seker (also spelt Sokar, and Sokaris, and in Greek, Socharis) was originally, during the Old Kingdom, the deification of the act of separating the Ba from the Ka, roughly the separation of soul from the body, after death. This was said to be enabled by the funerary ceremony of opening the mouth, and thus Seker was given his name, meaning cleaning of the mouth.

The Ba, roughly equivalent to the soul, was shown in art, as a human-headed bird fluttering above the Ka, roughly equivalent to the, now mummified, empty shell of the body. Consequently, Seker became depicted as a mummified human who was falcon-headed, and had green skin, symbolising rebirth. The usual depiction of the Ba in this form led to Seker gaining the epithet great lord with two wings opened. A statue of Seker was often placed in tombs, the bottom of it containing the deceased's Book of the Dead, to encourage the successful separation and release of the Ba.

In Memphis, Seker was worshipped as the patron god of the necropolis, and so was known as (one who is) on the sand; the necropolis itself, then became known as Sakkara after his name. In Thebes he had a dedicated festival, known as the Henu Festival, in which an image of Seker was carried in a barque, representing the ferry that carried the deceased through Aaru.

His name could also be decomposed to mean adorned one, and so Seker gradually also became associated with the secondary function of being the patron god of jewellers, armourers, and other metal workers. Consequently, during the Middle Kingdom when Ptah became viewed as a god of craftsmen, and a god of reincarnation, Seker, as a god of a class of craftsmen, and a god involved in starting the process of reincarnation, became closely associated with Ptah. Eventually, Seker's identity was subsumed into that of Ptah, becoming Ptah-Seker. By the start of the New Kingdom, Ptah-Seker, as a funerary god, had become subsumed into the now much more important god of death, Osiris, becoming Ptah-Seker-Osiris.

Thoth (his Greek name derived from the Egyptian *ḏiḥautī, written by Egyptians as ḏḥwty) was considered one of the most important deities of the Egyptian pantheon, often depicted with the head of an ibis. His feminine counterpart was Ma'at. His chief shrine was at Khemennu, where he was the head of the local company of gods, later renamed Hermopolis by the Greeks (in reference to him through the Greeks' interpretation that he was the same as Hermes) and Eshmûnên by the Arabs. He also had shrines in Abydos, Hesert, Urit, Per-Ab, Rekhui, Ta-ur, Sep, Hat, Pselket, Talmsis, Antcha-Mutet, Bah, Amen-heri-ab, and Ta-kens.

He was considered the heart and tongue of Ra as well as the means by which Ra's will was translated into speech. He has also been likened to the Logos of Plato and the mind of God. In the Egyptian mythology, he has played many vital and prominent roles, including being one of the two gods (the other being Ma'at) who stood on either side of Ra's boat. He has further been involved in arbitration, magic, writing, science, and the judging of the dead.

According to Theodor Hopfner, Thoth's Egyptian name written as ḏḥwty originated from ḏḥw, claimed to be the oldest known name for the ibis although normally written as hbj. The addition of -ty denotes that he possessed the attributes of the ibis. Hence his name means "He who is like the ibis".

The Egyptian pronunciation of ḏḥwty is not fully known, but may be reconstructed as *ḏiḥautī, based on the Ancient Greek borrowing Θωθ Thōth or Theut and the fact that it evolved into Sahidic Coptic variously as Thoout, Thōth, Thoot, Thaut as well as Bohairic Coptic Thōout. The final -y may even have been pronounced as a consonant, not a vowel. However, many write "Djehuty", inserting the letter 'e' automatically between consonants in Egyptian words, and writing 'w' as 'u', as a convention of convenience for English speakers, not the transliteration employed by Egyptologists.

Djehuty is sometimes alternatively rendered as Tahuti, Tehuti, Zehuti, Techu, or Tetu. Thoth is the Greek version derived from the letters ḏḥwty.

Not counting differences in spelling, Thoth had many names and titles, like other gods and goddesses. Similarly, each Pharaoh, considered a god himself, had five different names used in public. Among his alternate names are A, Sheps, Lord of Khemennu, Asten, Khenti, Mehi, Hab, and A'an. In addition, Thoth was also known by specific aspects of himself, for instance the moon god A'ah-Djehuty, representing the moon for the entire month, or as jt-nṯr "god father".

Further, the Greeks related Thoth to their god Hermes due to his similar attributes and functions. One of Thoth 's titles, "Three times great, great" was translated to the Greek τρισμεγιστος (Trismegistos) making Hermes Trismegistus.

Thoth has been depicted in many ways depending on the era and on the aspect the artist wished to convey. Usually, he is depicted in human form with the head of an ibis. In this form, he can be represented as the reckoner of times and seasons by a lunar disk sitting in a crescent moon being placed atop his head. When depicted as a form of Shu or Ankher, he will wear the respective god's headdress. He also is sometimes seen wearing the atef crown and the United Crowns of Upper and Lower Egypt.

When not depicted in this common form, he sometimes takes the form of the ibis directly. He also appears as a baboon when he is A'an, the god of equilibrium. In the form of A'ah-Djehuty he took a more human-looking form.

These forms are all symbolic and are metaphors for Thoth's attributes. The Egyptians did not believe these gods actually looked like humans with animal heads. For example, Thoth's counterpart Ma'at is often depicted with an ostrich feather for a head.

Egyptologists disagree on Thoth's nature depending upon their view of the Egyptian pantheon. Most egyptologists today side with Sir Flinders Petrie that Egyptian religion was strictly polytheistic, in which Thoth would be a separate god. His contemporary adversary, E. A. Wallis Budge, however, thought Egyptian religion to be primarily monotheistic where all the gods and goddesses were aspects of the God Ra, similar to the Trinity in Christianity and devas in Hinduism. In this view, Thoth would be the aspect of Ra which the Egyptian mind would relate to the heart and tongue.

His roles in Egyptian mythology were many. Thoth served as a mediating power, especially between good and evil, making sure neither had a decisive victory over the other. He also served as scribe of the gods, credited with the invention of writing and alphabets (ie. hieroglyphs) themselves. In the underworld, Duat, he appeared as an ape, A'an, the god of equilibrium, who reported when the scales weighing the deceased's heart against the feather, representing the principle of Ma'at, was exactly even.

The ancient Egyptians regarded Thoth as One, self-begotten, and self-produced. He was the master of both physical and moral (ie. Divine) law, making proper use of Ma'at. He is credited with making the calculations for the establishment of the heavens, stars, Earth, and everything in them. Compare this to how his feminine counterpart, Ma'at was the force which maintained the Universe. He is said to direct the motions of the heavenly bodies. Without his words, the Egyptians believed, the gods would not exist. His power was almost unlimited in the Underworld and rivalled that of Ra and Osiris.

The Egyptians credited him as the author of all works of science, religion, philosophy, and magic. The Greeks further declared him the inventor of astronomy, astrology, the science of numbers, mathematics, geometry, land surveying, medicine, botany, theology, civilized government, the alphabet, reading, writing, and oratory. They further claimed he was the true author of every work of every branch of knowledge, human and divine.

Thoth has played a prominent role in many of the Egyptian myths. Displaying his role as arbitrator, he had overseen the three epic battles between good and evil. All three battles are fundamentally the same and belong to different periods. The first battle took place between Ra and Apep, the second between Heru-Bekhutet and Set, and the third between Horus, the son of Osiris, and Set. In each instance, the former god represented good while the latter represented evil. If one god was seriously injured, Thoth would heal them to prevent either from overtaking the other.

Thoth was also prominent in the Osiris myth, being of great aid to Isis. After Isis gathered together the pieces of Osiris' dismembered body, he gave her the words to resurrect him so she could be impregnated and bring forth Horus, named for his uncle. When Horus was slain, Thoth gave the formulae to resurrect him as well. Similar to God speaking the words to create the heavens and Earth in Judeo-Christian mythology, Thoth, being the god who always speaks the words that fulfill the wishes of Ra, spoke the words that created the heavens and Earth in Egyptian mythology.

Mythology also accredits him with the creation of the 365 day calendar. Originally, according to the myth, the year was only 360 days long and Nut with sterility during these days, unable to bear children. Thoth gambled with Khonsu, the moon, for 1/72nd of its light (360/72 = 5), or 5 days, and won. During these 5 days, she gave birth to Kheru-ur (Horus the Elder, Face of Heaven), Osiris, Set, Isis, and Nepthys.

In the Ogdoad cosmogony myth, Thoth gave birth to Ra, Atum, Nefertum, and Khepri by laying an egg while in the form of an ibis, or later as a goose laying a golden egg.

He was originally the deification of the moon in the Ogdoad belief system. Initially, in that system, the moon had been seen to be the eye of Horus, the sky god, which had been semi-blinded (thus darker) in a fight against Set, the other eye being the sun. However, over time it began to be considered separately, becoming a lunar deity in its own right, and was said to have been another son of Ra. As the crescent moon strongly resembles the curved beak of the ibis, this separate deity was named Djehuty (i.e. Thoth), meaning ibis.

Thoth became associated with the Moon, due to the Ancient Egyptians observation that Baboons (sacred to Thoth) 'sang' to the moon at night.

The Moon not only provides light at night, allowing the time to still be measured without the sun, but its phases and prominence gave it a significant importance in early astrology/astronomy. The cycles of the moon also organized much of Egyptian society's civil, and religious, rituals, and events. Consequently, Thoth gradually became seen as a god of wisdom, magic, and the measurement, and regulation, of events, and of time. He was thus said to be the secretary and counsellor of Ra, and with Ma'at (truth/order) stood next to Ra on the nightly voyage across the sky, Ra being a sun god.

Thoth became credited by the ancient Egyptians as the inventor of writing, and was also considered to have been the scribe of the underworld, and the moon became occasionally considered a separate entity, now that Thoth had less association with it, and more with wisdom. For this reason Thoth was universally worshipped by ancient Egyptian Scribes. Many scribes had a painting or a picture of Thoth in their "office". Likewise, one of the symbols for scribes was that of the ibis.

In art, Thoth was usually depicted with the head of an ibis, deriving from his name, and the curve of the ibis' beak, which resembles the crescent moon. Sometimes, he was depicted as a baboon holding up a crescent moon, as the baboon was seen as a nocturnal, and intelligent, creature. The association with baboons led to him occasionally being said to have as a consort Astennu, one of the (male) baboons at the place of judgement in the underworld, and on other occasions, Astennu was said to be Thoth himself.

During the late period of Egyptian history a cult of Thoth gained prominence, due to its main centre, Khnum (Hermopolis Magna), also becoming the capital, and millions of dead ibis were mummified and buried in his honour. The rise of his cult also led to his cult seeking to adjust mythology to give Thoth a greater role.

Thoth was inserted in many tales as the wise counsel and persuader, and his association with learning, and measurement, led him to be connected with Seshat, the earlier deification of wisdom, who was said to be his daughter, or variably his wife. Thoth's qualities also led to him being identified by the Greeks with their closest matching god - Hermes, with whom Thoth was eventually combined, as Hermes Trismegistus, also leading to the Greeks naming Thoth's cult centre as Hermopolis, meaning city of Hermes.

It is also viewed that Thoth was the God of Scribe and not a messenger. Anubis was viewed as the messenger of the gods, as he travelled in and out of the Underworld, to the presence of the gods, and to humans, as well. Some call this fusion Hermanubis. It is in more favor that Thoth was a record keeper, and not the messenger.

There is also an Egyptian pharaoh of the Sixteenth dynasty of Egypt named Djehuty (Thoth) after him, and who reigned for three years.

Thoth, like many Egyptian gods and nobility, held many titles. Among these were "Scribe of Ma'at in the Company of the Gods," "Lord of Ma'at," "Lord of Divine Words," "Judge of the Two Combatant Gods," "Judge of the Rekhekhui, the pacifier of the Gods, who Dwelleth in Unnu, the Great God in the Temple of Abtiti," "Twice Great," "Thrice Great," " and "Three Times Great, Great."

One of the most popular and cited works on the Tarot was connected to this deity. Written by the occultist Aleister Crowley, The Book of Thoth is a philosophical text on the usage of Tarot and, most notably, Crowley's own created Tarot Deck, the Thoth Tarot which he also referred to as The Book of Thoth, where the name is taken from a "non-existent" (translations from papyrus of an actual Book of Thoth DO exist, titled 'The Ancient Egyptian Book of Thoth' by Jasnow and Zauzich) book in Egyptian mythology, believed to contain ancient knowledge originally brought to man by this deity. Crowley commissioned Lady Frieda Harris to assist him in painting the Thoth Deck.

A text entitled The Emerald Tablets of Thoth-The-Atlantean has been claimed to have been translated by a man named Doreal. The introduction claims them to be written by an Atlantean Priest-King named Thoth, who settled a colony in Egypt after Atlantis sunk. Doreal further claims the texts are 36,000 years old. Regardless of the authenticity of the text, it contains much Hermetic and Egyptian symbolism that Doreal misses.

It is also interesting to note that of legend there is apparently some connection between Thoth, and the number 42. Many historians and researches of Thoth claim that it is not 'The Book of Thoth' or the 'Emerald Tablets of Thoth', but actually the '42 Books of Thoth' These books are often also referred to as the 42 Books of Instructions or the 42 Books of Thoth which describe the instructions for achieving immortality plus 2 more books kept separately, mirroringthe 42+2 chromosomes and the sacred geometry embedded in the Great Pyramid.