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Posted: Sun Jun 28, 2009 5:55 pm
Well it speaks for itself, doesn't it? smile
What's your favourite silent film and why? Can't pick one? Then top 3, top 5... Go crazy.
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Posted: Sun Jun 28, 2009 9:20 pm
I must have watched Keaton's "The General" at least 700 times when I was 3... but I loved the shorts, like "One Week" and "Paleface".
But I also liked the early works of Roscoe Arbuckle and Harold Loyd, as well.
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Posted: Sun Jun 28, 2009 9:43 pm
0kamisama I must have watched Keaton's "The General" at least 700 times when I was 3... but I loved the shorts, like "One Week" and "Paleface". But I also liked the early works of Roscoe Arbuckle and Harold Loyd, as well. One week made me laugh more than any other silent I've seen, I think. smile
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Posted: Sun Jun 28, 2009 9:45 pm
I can't follow my own guidelines.
I've narrowed this to seven essentials:
The Man Who Laughs Sunrise: A Song of Two Humans The Unknown He Who Gets Slapped Seventh Heaven The Wind Laugh, Clown, Laugh
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Posted: Mon Jun 29, 2009 5:31 am
It was hard to narrow this down! Here are mine:
Diary Of A Lost Girl Metropolis Modern Times A Trip To The Moon The Navigator Never Weaken (It's only a short, but I can't get enough of it!) It's A Bird Nosferatu
I really recommend It's A Bird, Charles Bowers is a horribly under-appreciated pioneer in stop motion. And of course Metropolis and A Trip To The Moon are essentials!
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Posted: Mon Jun 29, 2009 7:57 am
The Eyebright Bugler It was hard to narrow this down! Here are mine: Diary Of A Lost Girl Metropolis Modern Times A Trip To The Moon The Navigator Never Weaken (It's only a short, but I can't get enough of it!) It's A Bird Nosferatu I really recommend It's A Bird, Charles Bowers is a horribly under-appreciated pioneer in stop motion. And of course Metropolis and A Trip To The Moon are essentials! I've seen fair share of Keaton films but not The Navigator yet and I've got Diary Of A Lost Girl but I still haven't watched it! (I actually forgot I had it - you just reminded me)
I'd never even heard of It's A Bird until now. I just watched a clip on youtube. It was amazing. Seriously it just baffled me! eek
The other five though, I've seen. Some undisputable classics.
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XxCreature_of_the_NightxX
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Posted: Mon Jun 29, 2009 5:14 pm
Like I said in my "introduction" I don't have much access to any silents. But my dad bought me The Art of Buster Keaton for a gift so pretty much all of my silent favorites are Buster Keaton flicks.
So I guess I can narrow this down to 5
5) The Garage (short) 4) Our Hospitality 3) The Navigator 2) College 1) The General
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Posted: Mon Jun 29, 2009 8:54 pm
Pretty much anything by Buster Keaton from the silent era. Earlier Charlie Chaplin from before he got so sentimental. Harold Lloyd--his "climbing on buildings with one hand that only has a couple of good fingers" films (try to spot the glove with the fake fingers to conceal the blown off ones!). That awesome French version of Beauty & the Beast--I haven't seen it in ages, but it's gorgeous. Nosferatu--VERY creepy special effects, playing with time lapse photography & such. The Cabinet of Dr. Caligari--downright surreal.
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Posted: Tue Jun 30, 2009 4:01 am
XxCreature_of_the_NightxX Like I said in my "introduction" I don't have much access to any silents. But my dad bought me The Art of Buster Keaton for a gift so pretty much all of my silent favorites are Buster Keaton flicks.
So I guess I can narrow this down to 5
5) The Garage (short) 4) Our Hospitality 3) The Navigator 2) College 1) The General I've seen Our Hospitality, College and The General. smile
My faves were One Week, College and Sherlock Jr.
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Posted: Tue Jun 30, 2009 4:16 am
Eirwyn Pretty much anything by Buster Keaton from the silent era. Earlier Charlie Chaplin from before he got so sentimental. Harold Lloyd--his "climbing on buildings with one hand that only has a couple of good fingers" films (try to spot the glove with the fake fingers to conceal the blown off ones!). That awesome French version of Beauty & the Beast--I haven't seen it in ages, but it's gorgeous. Nosferatu--VERY creepy special effects, playing with time lapse photography & such. The Cabinet of Dr. Caligari--downright surreal. Nosferatu and The Cabinet of Dr. Caligari, classics of course. And I heard about that, a finger and a thumb rolleyes ...:} And when did he strart getting too sentimental for you? BUT I love sentiment! I'M AN EMOTIONAL WRECK!! D:
:}
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Posted: Tue Jun 30, 2009 8:56 pm
Metropolis (192 cool - I'm a huge sci-fi fan, so when I saw this for the first time (in the 2k restoration) it was love at first sight.
Girl Shy (1924) - At a screening I heard an entire audience go "Oh no!" at a key scene. Even if that hadn't happened, I find the plot of this Harold Lloyd feature more engaging than Safety Last!.
Sherlock Jr. (1924) - It's everything great about Buster Keaton distilled.
Among Those Present (1921) - My favorite Harold Lloyd short. It's not a daredevil short, but just a series of unfortunate events involving a lot of animals.
The "Teddy" Bears (1907) - This short, retelling of the Three Bears, has a little bit of everything, including a shocking climax that illustrates how in 1907 filmmakers didn't realize how audience identification worked.
Nosferatu (1922) - My "gateway drug" to silent film. Count Orloc is truly creepy.
Honorable mention:
It (1927) - Clara Bow is brassy and cute! She's totally my favorite silent era actress.
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Posted: Thu Jul 02, 2009 5:28 am
Amuse Metropolis (192 cool - I'm a huge sci-fi fan, so when I saw this for the first time (in the 2k restoration) it was love at first sight.
Girl Shy (1924) - At a screening I heard an entire audience go "Oh no!" at a key scene. Even if that hadn't happened, I find the plot of this Harold Lloyd feature more engaging than Safety Last!.
Sherlock Jr. (1924) - It's everything great about Buster Keaton distilled.
Among Those Present (1921) - My favorite Harold Lloyd short. It's not a daredevil short, but just a series of unfortunate events involving a lot of animals.
The "Teddy" Bears (1907) - This short, retelling of the Three Bears, has a little bit of everything, including a shocking climax that illustrates how in 1907 filmmakers didn't realize how audience identification worked.
Nosferatu (1922) - My "gateway drug" to silent film. Count Orloc is truly creepy.
Honorable mention:
It (1927) - Clara Bow is brassy and cute! She's totally my favorite silent era actress. Just haven't seen Among Those Present and The "Teddy" Bears. Girl Shy's a sweet one. Ahh, we love a mad dash to the church :} - and It too! Clara Bow was great in that (and that film had really funny intertitles btw). smile
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Posted: Sat Jul 04, 2009 5:10 pm
KimberleyJane Eirwyn Pretty much anything by Buster Keaton from the silent era. Earlier Charlie Chaplin from before he got so sentimental. Harold Lloyd--his "climbing on buildings with one hand that only has a couple of good fingers" films (try to spot the glove with the fake fingers to conceal the blown off ones!). That awesome French version of Beauty & the Beast--I haven't seen it in ages, but it's gorgeous. Nosferatu--VERY creepy special effects, playing with time lapse photography & such. The Cabinet of Dr. Caligari--downright surreal. Nosferatu and The Cabinet of Dr. Caligari, classics of course. And I heard about that, a finger and a thumb rolleyes ...:} And when did he strart getting too sentimental for you? BUT I love sentiment! I'M AN EMOTIONAL WRECK!! D:
:}
Probably about the time he got control of his film making. There's one I especially like that has Charlie & Ben Turpin as a pair of drunks trying to get home. That was a real hoot. You have to admit, Charlie was a tad more ornery & mischievous in the early short comedies, and like Buster he had an amazing genius for physical comedy. Give those two a prop, and you never knew what they were liable to do with it. lol And Buster was awesome at creating mechanical comedy.
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Posted: Sun Jul 05, 2009 1:42 pm
Eirwyn KimberleyJane Eirwyn Pretty much anything by Buster Keaton from the silent era. Earlier Charlie Chaplin from before he got so sentimental. Harold Lloyd--his "climbing on buildings with one hand that only has a couple of good fingers" films (try to spot the glove with the fake fingers to conceal the blown off ones!). That awesome French version of Beauty & the Beast--I haven't seen it in ages, but it's gorgeous. Nosferatu--VERY creepy special effects, playing with time lapse photography & such. The Cabinet of Dr. Caligari--downright surreal. Nosferatu and The Cabinet of Dr. Caligari, classics of course. And I heard about that, a finger and a thumb rolleyes ...:} And when did he strart getting too sentimental for you? BUT I love sentiment! I'M AN EMOTIONAL WRECK!! D:
:}
Probably about the time he got control of his film making. There's one I especially like that has Charlie & Ben Turpin as a pair of drunks trying to get home. That was a real hoot. You have to admit, Charlie was a tad more ornery & mischievous in the early short comedies, and like Buster he had an amazing genius for physical comedy. Give those two a prop, and you never knew what they were liable to do with it. lol And Buster was awesome at creating mechanical comedy. Oh yeah, I do agree - but I still can't resist the pathos. That said I haven't seen any of the earlier ones in a forages (not so many comedies in general tbh). I remember, The Police through and The Idle Class and him making a damn convincing woman. I'm gonna go back to them.
But btw, you know the French Beauty & the Beast? Is this something early that I've not seen or the Cocteau one? If the former then I want to see it! If it's the Cocteau film you really mustn't have seen it in ages because it's not silent lol . I'm very sure because I do laughable impressions ('la beeeelle, la beeeelle') when inspiration takes up with me...inspiration being port :{.
JEAN MARAIS WAS NEVER ATTRACTIVE!!
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Posted: Sun Jul 05, 2009 7:05 pm
I still haven't really worked my way to watching silent pictures, but my favorite so far is City Lights with Charles Chaplin. I adore him as the little tramp character, and how far he goes just to please a poor blind girl really eats out my heart. The miming and everything is really awe inspiring to me in general, and there's never been a picture that got me crying harder, except for Random Harvest with Greer Garson.
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