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Posted: Tue Aug 19, 2008 10:58 am
I decide to spice up the guild alittle and put some of my favorites old folklores, myths, & stories mostly in japanese. I am not the maker of these stories... i've gotten most of these stores from http://www.sacred-texts.com/ (Which has alot of books go check it out.)
The next 3 stories are from KWAIDAN: Stories and Studies of Strange Things by Lafcadio Hearn published in 1904 Hope you enjoy and i'll keep posting more if you want but i am currently on a drawing project. please feel free to post your favorite myths, stories or even zen stories.
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Posted: Tue Aug 19, 2008 10:59 am
JIKININKI
-------------------------------------------------------------------------------------- Once, when Muso Kokushi, a priest of the Zen sect, was journeying alone through the province of Mino (1), he lost his way in a mountain-district where there was nobody to direct him. For a long time he wandered about helplessly; and he was beginning to despair of finding shelter for the night, when he perceived, on the top of a hill lighted by the last rays of the sun, one of those little hermitages, called anjitsu, which are built for solitary priests. It seemed to be in ruinous condition; but he hastened to it eagerly, and found that it was inhabited by an aged priest, from whom he begged the favor of a night's lodging. This the old man harshly refused; but he directed Muso to a certain hamlet, in the valley adjoining where lodging and food could be obtained.
Muso found his way to the hamlet, which consisted of less than a dozen farm-cottages; and he was kindly received at the dwelling of the headman. Forty or fifty persons were assembled in the principal apartment, at the moment of Muso's arrival; but he was shown into a small separate room, where he was promptly supplied with food and bedding. Being very tired, he lay down to rest at an early hour; but a little before midnight he was roused from sleep by a sound of loud weeping in the next apartment. Presently the sliding-screens were gently pushed apart; and a young man, carrying a lighted lantern, entered the room, respectfully saluted him, and said:--
"Reverend Sir, it is my painful duty to tell you that I am now the responsible head of this house. Yesterday I was only the eldest son. But when you came here, tired as you were, we did not wish that you should feel embarrassed in any way: therefore we did not tell you that father had died only a few hours before. The people whom you saw in the next room are the inhabitants of this village: they all assembled here to pay their last respects to the dead; and now they are going to another village, about three miles off,--for by our custom, no one of us may remain in this village during the night after a death has taken place. We make the proper offerings and prayers;--then we go away, leaving the corpse alone. Strange things always happen in the house where a corpse has thus been left: so we think that it will be better for you to come away with us. We can find you good lodging in the other village. But perhaps, as you are a priest, you have no fear of demons or evil spirits; and, if you are not afraid of being left alone with the body, you will be very welcome to the use of this poor house. However, I must tell you that nobody, except a priest, would dare to remain here tonight."
Muso made answer:--
"For your kind intention and your generous hospitality and am deeply grateful. But I am sorry that you did not tell me of your father's death when I came;--for, though I was a little tired, I certainly was not so tired that I should have found difficulty in doing my duty as a priest. Had you told me, I could have performed the service before your departure. As it is, I shall perform the service after you have gone away; and I shall stay by the body until morning. I do not know what you mean by your words about the danger of staying here alone; but I am not afraid ofghosts or demons: therefore please to feel no anxiety on my account."
The young man appeared to be rejoiced by these assurances, and expressed his gratitude in fitting words. Then the other members of the family, and the folk assembled in the adjoining room, having been told of the priest's kind promises, came to thank him,--after which the master of the house said:--
"Now, reverend Sir, much as we regret to leave you alone, we must bid you farewell. By the rule of our village, none of us can stay here after midnight. We beg, kind Sir, that you will take every care of your honorable body, while we are unable to attend upon you. And if you happen to hear or see anything strange during our absence, please tell us of the matter when we return in the morning."
All then left the house, except the priest, who went to the room where the dead body was lying. The usual offerings had been set before the corpse; and a small Buddhist lamp--tomyo--was burning. The priest recited the service, and performed the funeral ceremonies,--after which he entered into meditation. So meditating he remained through several silent hours; and there was no sound in the deserted village. But, when the hush of the night was at its deepest, there noiselessly entered a Shape, vague and vast; and in the same moment Muso found himself without power to move or speak. He saw that Shape lift the corpse, as with hands, devour it, more quickly than a cat devours a rat,--beginning at the head, and eating everything: the hair and the bones and even the shroud. And the monstrous Thing, having thus consumed the body, turned to the offerings, and ate them also. Then it went away, as mysteriously as it had come.
When the villagers returned next morning, they found the priest awaiting them at the door of the headman's dwelling. All in turn saluted him; and when they had entered, and looked about the room, no one expressed any surprise at the disappearance of the dead body and the offerings. But the master of the house said to Muso:--
"Reverent Sir, you have probably seen unpleasant things during the night: all of us were anxious about you. But now we are very happy to find you alive and unharmed. Gladly we would have stayed with you, if it had been possible. But the law of our village, as I told you last evening, obliges us to quit our houses after a death has taken place, and to leave the corpse alone. Whenever this law has been broken, heretofore, some great misfortune has followed. Whenever it is obeyed, we find that the corpse and the offerings disappear during our absence. Perhaps you have seen the cause."
Then Muso told of the dim and awful Shape that had entered the death-chamber to devour the body and the offerings. No person seemed to be surprised by his narration; and the master of the house observed:--
"What you have told us, reverend Sir, agrees with what has been said about this matter from ancient time."
Muso then inquired:--
"Does not the priest on the hill sometimes perform the funeral service for your dead?"
"What priest?" the young man asked.
"The priest who yesterday evening directed me to this village," answered Muso. "I called at his anjitsu on the hill yonder. He refused me lodging, but told me the way here."
The listeners looked at each other, as in astonishment; and, after a moment of silence, the master of the house said:--
"Reverend Sir, there is no priest and there is no anjitsu on the hill. For the time of many generations there has not been any resident-priest in this neighborhood."
Muso said nothing more on the subject; for it was evident that his kind hosts supposed him to have been deluded by some goblin. But after having bidden them farewell, and obtained all necessary information as to his road, he determined to look again for the hermitage on the hill, and so to ascertain whether he had really been deceived. He found the anjitsu without any difficulty; and, this time, its aged occupant invited him to enter. When he had done so, the hermit humbly bowed down before him, exclaiming:--"Ah! I am ashamed !--I amvery much ashamed!--I am exceedingly ashamed!"
"You need not be ashamed for having refused me shelter," said Muso. "you directed me to the village yonder, where I was very kindly treated; and I thank you for that favor.
"I can give no man shelter," the recluse made answer;--and it is not for the refusal that I am ashamed. I am ashamed only that you should have seen me in my real shape,--for it was I who devoured the corpse and the offerings last night before your eyes... Know, reverend Sir, that I am a jikininki, -an eater of human flesh. Have pity upon me, and suffer me to confess the secret fault by which I became reduced to this condition.
"A long, long time ago, I was a priest in this desolate region. There was no other priest for many leagues around. So, in that time, the bodies of the mountain-folk who died used to be brought here,--sometimes from great distances,--in order that I might repeat over them the holy service. But I repeated the service and performed the rites only as a matter of business;--I thought only of the food and the clothes that my sacred profession enabled me to gain. And because of this selfish impiety I was reborn, immediately after my death, into the state of a jikininki. Since then I have been obliged to feed upon the corpses of the people who die in this district: every one of them I must devour in the way that you saw last night... Now, reverend Sir, let me beseech you to perform a Segaki-service for me: help me by your prayers, I entreat you, so that I may be soon able to escape from this horrible state of existence"...
No sooner had the hermit uttered this petition than he disappeared; and the hermitage also disappeared at the same instant. And Muso Kokushi found himself kneeling alone in the high grass, beside an ancient and moss-grown tomb of the form called go-rin-ishi, which seemed to be the tomb of a priest.
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Posted: Tue Aug 19, 2008 11:05 am
THE STORY OF MIMI-NASHI-HOICHI
-------------------------------------------------------------------------------------- More than seven hundred years ago, at Dan-no-ura, in the Straits of Shimonoseki, was fought the last battle of the long contest between the Heike, or Taira clan, and the Genji, or Minamoto clan. There the Heike perished utterly, with their women and children, and their infant emperor likewise--now remembered as Antoku Tenno. And that sea and shore have been haunted for seven hundred years... Elsewhere I told you about the strange crabs found there, called Heike crabs, which have human faces on their backs, and are said to be the spirits of the Heike warriors. But there are many strange things to be seen and heard along that coast. On dark nights thousands of ghostly fires hover about the beach, or flit above the waves,--pale lights which the fishermen call Oni-bi, or demon-fires; and, whenever the winds are up, a sound of great shouting comes from that sea, like a clamor of battle.
In former years the Heike were much more restless than they now are. They would rise about ships passing in the night, and try to sink them; and at all times they would watch for swimmers, to pull them down. It was in order to appease those dead that the Buddhist temple, Amidaji, was built at Akamagaseki. A cemetery also was made close by, near the beach; and within it were set up monuments inscribed with the names of the drowned emperor and of his great vassals; and Buddhist services were regularly performed there, on behalf of the spirits of them. After the temple had been built, and the tombs erected, the Heike gave less trouble than before; but they continued to do queer things at intervals,--proving that they had not found the perfect peace.
Some centuries ago there lived at Akamagaseki a blind man named Hoichi, who was famed for his skill in recitation and in playing upon the biwa [3]. From childhood he had been trained to recite and to play; and while yet a lad he had surpassed his teachers. As a professional biwa-hoshi he became famous chiefly by his recitations of the history of the Heike and the Genji; and it is said that when he sang the song of the battle of Dan-no-ura "even the goblins [kijin] could not refrain from tears."
At the outset of his career, Hoichi was very poor; but he found a good friend to help him. The priest of the Amidaji was fond of poetry and music; and he often invited Hoichi to the temple, to play and recite. Afterwards, being much impressed by the wonderful skill of the lad, the priest proposed that Hoichi should make the temple his home; and this offer was gratefully accepted. Hoichi was given a room in the temple-building; and, in return for food and lodging, he was required only to gratify the priest with a musical performance on certain evenings, when otherwise disengaged.
One summer night the priest was called away, to perform a Buddhist service at the house of a dead parishioner; and he went there with his acolyte, leaving Hoichi alone in the temple. It was a hot night; and the blind man sought to cool himself on the verandah before his sleeping-room. The verandah overlooked a small garden in the rear of the Amidaji. There Hoichi waited for the priest's return, and tried to relieve his solitude by practicing upon his biwa. Midnight passed; and the priest did not appear. But the atmosphere was still too warm for comfort within doors; and Hoichi remained outside. At last he heard steps approaching from the back gate. Somebody crossed the garden, advanced to the verandah, and halted directly in front of him--but it was not the priest. A deep voice called the blind man's name--abruptly and unceremoniously, in the manner of a samurai summoning an inferior:--
"Hoichi!"
"Hai!" (1) answered the blind man, frightened by the menace in the voice,--"I am blind!--I cannot know who calls!"
"There is nothing to fear," the stranger exclaimed, speaking more gently. "I am stopping near this temple, and have been sent to you with a message. My present lord, a person of exceedingly high rank, is now staying in Akamagaseki, with many noble attendants. He wished to view the scene of the battle of Dan-no-ura; and to-day he visited that place. Having heard of your skill in reciting the story of the battle, he now desires to hear your performance: so you will take your biwa and come with me at once to the house where the august assembly is waiting."
In those times, the order of a samurai was not to be lightly disobeyed. Hoichi donned his sandals, took his biwa, and went away with the stranger, who guided him deftly, but obliged him to walk very fast. The hand that guided was iron; and the clank of the warrior's stride proved him fully armed,--probably some palace-guard on duty. Hoichi's first alarm was over: he began to imagine himself in good luck;--for, remembering the retainer's assurance about a "person of exceedingly high rank," he thought that the lord who wished to hear the recitation could not be less than a daimyo of the first class. Presently the samurai halted; and Hoichi became aware that they had arrived at a large gateway;--and he wondered, for he could not remember any large gate in that part of the town, except the main gate of the Amidaji. "Kaimon!" [4] the samurai called,--and there was a sound of unbarring; and the twain passed on. They traversed a space of garden, and halted again before some entrance; and the retainer cried in a loud voice, "Within there! I have brought Hoichi." Then came sounds of feet hurrying, and screens sliding, and rain-doors opening, and voices of womeni n converse. By the language of the women Hoichi knew them to be domestics in some noble household; but he could not imagine to what place he had been conducted. Little time was allowed him for conjecture. After he had been helped to mount several stone steps, upon the last of which he was told to leave his sandals, a woman's hand guided him along interminable reaches of polished planking, and round pillared angles too many to remember, and over widths amazing of matted floor,--into the middle of some vast apartment. There he thought that many great people were assembled: the sound of the rustling of silk was like the sound of leaves in a forest. He heard also a great humming of voices,--talking in undertones; and the speech was the speech of courts.
Hoichi was told to put himself at ease, and he found a kneeling-cushion ready for him. After having taken his place upon it, and tuned his instrument, the voice of a woman--whom he divined to be the Rojo, or matron in charge of the female service--addressed him, saying,--
"It is now required that the history of the Heike be recited, to the accompaniment of the biwa."
Now the entire recital would have required a time of many nights: therefore Hoichi ventured a question:--
"As the whole of the story is not soon told, what portion is it augustly desired that I now recite?"
The woman's voice made answer:--
"Recite the story of the battle at Dan-no-ura,--for the pity of it is the most deep."
Then Hoichi lifted up his voice, and chanted the chant of the fight on the bitter sea,--wonderfully making his biwa to sound like the straining of oars and the rushing of ships, the whirr and the hissing of arrows, the shouting and trampling of men, the crashing of steel upon helmets, the plunging of slain in the flood. And to left and right of him, in the pauses of his playing, he could hear voices murmuring praise: "How marvelous an artist!"--"Never in our own province was playing heard like this!"--"Not in all the empire is there another singer like Hoichi!" Then fresh courage came to him, and he played and sang yet better than before; and a hush of wonder deepened about him. But when at last he came to tell the fate of the fair and helpless,--the piteous perishing of the women and children,--and the death-leap of Nii-no-Ama, with the imperial infant in her arms,--then all the listeners uttered together one long, long shuddering cry of anguish; and thereafter they wept and wailed so loudly and so wildly that the blind man was frightened by the violence and grief that he had made. For much time the sobbing and the wailing continued. But gradually the sounds of lamentation died away; and again, in the great stillness that followed, Hoichi heard the voice of the woman whom he supposed to be the Rojo.
She said:--
"Although we had been assured that you were a very skillful player upon the biwa, and without an equal in recitative, we did not know that any one could be so skillful as you have proved yourself to-night. Our lord has been pleased to say that he intends to bestow upon you a fitting reward. But he desires that you shall perform before him once every night for the next six nights--after which time he will probably make his august return-journey. To-morrow night, therefore, you are to come here at the same hour. The retainer who to-night conducted you will be sent for you... There is another matter about which I have been ordered to inform you. It is required that you shall speak to no one of your visits here, during the time of our lord's august sojourn at Akamagaseki. As he is traveling incognito, [6] he commands that no mention of these things be made... You are now free to go back to your temple."
After Hoichi had duly expressed his thanks, a woman's hand conducted him to the entrance of the house, where the same retainer, who had before guided him, was waiting to take him home. The retainer led him to the verandah at the rear of the temple, and there bade him farewell.
It was almost dawn when Hoichi returned; but his absence from the temple had not been observed,--as the priest, coming back at a very late hour, had supposed him asleep. During the day Hoichi was able to take some rest; and he said nothing about his strange adventure. In the middle of the following night the samurai again came for him, and led him to the august assembly, where he gave another recitation with the same success that had attended his previous performance. But during this second visit his absence from the temple was accidentally discovered; and after his return in the morning he was summoned to the presence of the priest, who said to him, in a tone of kindly reproach:--
"We have been very anxious about you, friend Hoichi. To go out, blind and alone, at so late an hour, is dangerous. Why did you go without telling us? I could have ordered a servant to accompany you. And where have you been?"
Hoichi answered, evasively,--
"Pardon me kind friend! I had to attend to some private business; and I could not arrange the matter at any other hour."
The priest was surprised, rather than pained, by Hoichi's reticence: he felt it to be unnatural, and suspected something wrong. He feared that the blind lad had been bewitched or deluded by some evil spirits. He did not ask any more questions; but he privately instructed the men-servants of the temple to keep watch upon Hoichi's movements, and to follow him in case that he should again leave the temple after dark. On the very next night, Hoichi was seen to leave the temple; and the servants immediately lighted their lanterns, and followed after him. But it was a rainy night, and very dark; and before the temple-folks could get to the roadway, Hoichi had disappeared. Evidently he had walked very fast,--a strange thing, considering his blindness; for the road was in a bad condition. The men hurried through the streets, making inquiries at every house which Hoichi was accustomed to visit; but nobody could give them any news of him. At last, as they were returning to the temple by way of the shore, they were startled by the sound of a biwa, furiously played, in the cemetery of the Amidaji. Except for some ghostly fires--such as usually flitted there on dark nights--all was blackness in that direction. But the men at once hastened to the cemetery; and there, by the help of their lanterns, they discovered Hoichi,--sitting alone in the rain before the memorial tomb of Antoku Tenno, making his biwa resound, and loudly chanting the chant of the battle of Dan-no-ura. And behind him, and about him, and everywhere above the tombs, the fires of the dead were burning, like candles. Never before had so great a host of Oni-bi appeared in the sight of mortal man...
"Hoichi San!--Hoichi San!" the servants cried,--"you are bewitched!... Hoichi San!"
But the blind man did not seem to hear. Strenuously he made his biwa to rattle and ring and clang;--more and more wildly he chanted the chant of the battle of Dan-no-ura. They caught hold of him;--they shouted into his ear,--
"Hoichi San!--Hoichi San!--come home with us at once!"
Reprovingly he spoke to them:--
"To interrupt me in such a manner, before this august assembly, will not be tolerated."
Whereat, in spite of the weirdness of the thing, the servants could not help laughing. Sure that he had been bewitched, they now seized him, and pulled him up on his feet, and by main force hurried him back to the temple,--where he was immediately relieved of his wet clothes, by order of the priest. Then the priest insisted upon a full explanation of his friend's astonishing behavior.
Hoichi long hesitated to speak. But at last, finding that his conduct had really alarmed and angered the good priest, he decided to abandon his reserve; and he related everything that had happened from the time of first visit of the samurai.
The priest said:--
"Hoichi, my poor friend, you are now in great danger! How unfortunate that you did not tell me all this before! Your wonderful skill in music has indeed brought you into strange trouble. By this time you must be aware that you have not been visiting any house whatever, but have been passing your nights in the cemetery, among the tombs of the Heike;--and it was before the memorial-tomb of Antoku Tenno that our people to-night found you, sitting in the rain. All that you have been imagining was illusion--except the calling of the dead. By once obeying them, you have put yourself in their power. If you obey them again, after what has already occurred, they will tear you in pieces. But they would have destroyed you, sooner or later, in any event... Now I shall not be able to remain with you to-night: I am called away to perform another service. But, before I go, it will be necessary to protect your body by writing holy texts upon it."
Before sundown the priest and his acolyte stripped Hoichi: then, with their writing-brushes, they traced upon his breast and back, head and face and neck, limbs and hands and feet,--even upon the soles of his feet, and upon all parts of his body,--the text of the holy sutra called Hannya-Shin-Kyo. When this had been done, the priest instructed Hoichi, saying:--
"To-night, as soon as I go away, you must seat yourself on the verandah, and wait. You will be called. But, whatever may happen, do not answer, and do not move. Say nothing and sit still--as if meditating. If you stir, or make any noise, you will be torn asunder. Do not get frightened; and do not think of calling for help--because no help could save you. If you do exactly as I tell you, the danger will pass, and you will have nothing more to fear."
After dark the priest and the acolyte went away; and Hoichi seated himself on the verandah, according to the instructions given him. He laid his biwa on the planking beside him, and, assuming the attitude of meditation, remained quite still,--taking care not to cough, or to breathe audibly. For hours he stayed thus.
Then, from the roadway, he heard the steps coming. They passed the gate, crossed the garden, approached the verandah, stopped--directly in front of him.
"Hoichi!" the deep voice called. But the blind man held his breath, and sat motionless.
"Hoichi!" grimly called the voice a second time. Then a third time--savagely:--
"Hoichi!"
Hoichi remained as still as a stone,--and the voice grumbled:--
"No answer!--that won't do!... Must see where the fellow is."...
There was a noise of heavy feet mounting upon the verandah. The feet approached deliberately,--halted beside him. Then, for long minutes,--during which Hoichi felt his whole body shake to the beating of his heart,--there was dead silence.
At last the gruff voice muttered close to him:--
"Here is the biwa; but of the biwa-player I see--only two ears!... So that explains why he did not answer: he had no mouth to answer with--there is nothing left of him but his ears... Now to my lord those ears I will take--in proof that the august commands have been obeyed, so far as was possible"...
At that instant Hoichi felt his ears gripped by fingers of iron, and torn off! Great as the pain was, he gave no cry. The heavy footfalls receded along the verandah,--descended into the garden,--passed out to the roadway,--ceased. From either side of his head, the blind man felt a thick warm trickling; but he dared not lift his hands...
Before sunrise the priest came back. He hastened at once to the verandah in the rear, stepped and slipped upon something clammy, and uttered a cry of horror;--for he say, by the light of his lantern, that the clamminess was blood. But he perceived Hoichi sitting there, in the attitude of meditation--with the blood still oozing from his wounds.
"My poor Hoichi!" cried the startled priest,--"what is this?... You have been hurt?
At the sound of his friend's voice, the blind man felt safe. He burst out sobbing, and tearfully told his adventure of the night.
"Poor, poor Hoichi!" the priest exclaimed,--"all my fault!--my very grievous fault!... Everywhere upon your body the holy texts had been written--except upon your ears! I trusted my acolyte to do that part of the work; and it was very, very wrong of me not to have made sure that he had done it!... Well, the matter cannot now be helped;--we can only try to heal your hurts as soon as possible... Cheer up, friend!--the danger is now well over. You will never again be troubled by those visitors."
With the aid of a good doctor, Hoichi soon recovered from his injuries. The story of his strange adventure spread far and wide, and soon made him famous. Many noble persons went to Akamagaseki to hear him recite; and large presents of money were given to him,--so that he became a wealthy man... But from the time of his adventure, he was known only by the appellation of Mimi-nashi-Hoichi: "Hoichi-the-Earless."
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Posted: Tue Aug 19, 2008 11:07 am
ROKURO-KUBI
-------------------------------------------------------------------------------------- Nearly five hundred years ago there was a samurai, named Isogai Heidazaemon Taketsura, in the service of the Lord Kikuji, of Kyushu. This Isogai had inherited, from many warlike ancestors, a natural aptitude for military exercises, and extraordinary strength. While yet a boy he had surpassed his teachers in the art of swordsmanship, in archery, and in the use of the spear, and had displayed all the capacities of a daring and skillful soldier. Afterwards, in the time of the Eikyo [1] war, he so distinguished himself that high honors were bestowed upon him. But when the house of Kikuji came to ruin, Isogai found himself without a master. He might then easily have obtained service under another daimyo; but as he had never sought distinction for his own sake alone, and as his heart remained true to his former lord, he preferred to give up the world. so he cut off his hair, and became a traveling priest,--taking the Buddhist name of Kwairyo.
But always, under the koromo of the priest, Kwairyo kept warm within him the heart of the samurai. As in other years he had laughed at peril, so now also he scorned danger; and in all weathers and all seasons he journeyed to preach the good Law in places where no other priest would have dared to go. For that age was an age of violence and disorder; and upon the highways there was no security for the solitary traveler, even if he happened to be a priest.
In the course of his first long journey, Kwairyo had occasion to visit the province of Kai. (1) One evening, as he was traveling through the mountains of that province, darkness overcame him in a very lonesome district, leagues away from any village. So he resigned himself to pass the night under the stars; and having found a suitable grassy spot, by the roadside, he lay down there, and prepared to sleep. He had always welcomed discomfort; and even a bare rock was for him a good bed, when nothing better could be found, and the root of a pine-tree an excellent pillow. His body was iron; and he never troubled himself about dews or rain or frost or snow.
Scarcely had he lain down when a man came along the road, carrying an axe and a great bundle of chopped wood. This woodcutter halted on seeing Kwairyo lying down, and, after a moment of silent observation, said to him in a tone of great surprise:--
"What kind of a man can you be, good Sir, that you dare to lie down alone in such a place as this?... There are haunters about here,--many of them. are you not afraid of Hairy Things?"
"My friend," cheerfully answered Kwairyo, "I am only a wandering priest,--a 'Cloud-and-Water-Guest,' as folks call it: Unsui-no-ryokaku. (2) And I am not in the least afraid of Hairy Things,--if you mean goblin-foxes, or goblin-badgers, or any creatures of that kind. As for lonesome places, I like them: they are suitable for meditation. I am accustomed to sleeping in the open air: and I have learned never to be anxious aboutmy life."
"You must be indeed a brave man, Sir Priest," the peasant responded, "to lie down here! This place has a bad name,--a very bad name. But, as the proverb has it, Kunshi ayayuki ni chikayorazu ['The superior man does not needlessly expose himself to peril']; and I must assure you, Sir, that it is very dangerous to sleep here. Therefore, although my house is only a wretched thatched hut, let me beg of you to come home with me at once. In the way of food, I have nothing to offer you; but there is a roof at least, and you can sleep under it without risk."
He spoke earnestly; and Kwairyo, liking the kindly tone of the man, accepted this modest offer. The woodcutter guided him along a narrow path, leading up from the main road through mountain-forest. It was a rough and dangerous path,--sometimes skirting precipices,--sometimes offering nothing but a network of slippery roots for the foot to rest upon,--sometimes winding over or between masses of jagged rock. But at last Kwairyo found himself upon a cleared space at the top of a hill, with a full moon shining overhead; and he saw before him a small thatched cottage, cheerfully lighted from within. The woodcutter led him to a shed at the back of the house, whither water had been conducted, through bamboo-pipes, from some neighboring stream; and the two men washed their feet. Beyond the shed was a vegetable garden, and a grove of cedars and bamboos; and beyond the trees appeared the glimmer of a cascade, pouring from some loftier height, and swaying in the moonshine like a long white robe.
As Kwairyo entered the cottage with his guide, he perceived four persons--men and women--warming their hands at a little fire kindled in the ro [1] of the principle apartment. They bowed low to the priest, and greeted him in the most respectful manner. Kwairyo wondered that persons so poor, and dwelling in such a solitude, should be aware of the polite forms of greeting. "These are good people," he thought to himself; "and they must have been taught by some one well acquainted with the rules of propriety." Then turning to his host,--the aruji, or house-master, as the others called him,--Kwairyo said:--
"From the kindness of your speech, and from the very polite welcome given me by your household, I imagine that you have not always been a woodcutter. Perhaps you formerly belonged to one of the upper classes?"
Smiling, the woodcutter answered:--
"Sir, you are not mistaken. Though now living as you find me, I was once a person of some distinction. My story is the story of a ruined life--ruined by my own fault. I used to be in the service of a daimyo; and my rank in that service was not inconsiderable. But I loved women and wine too well; and under the influence of passion I acted wickedly. My selfishness brought about the ruin of our house, and caused the death of many persons. Retribution followed me; and I long remained a fugitive in the land. Now I often pray that I may be able to make some atonement for the evil which I did, and to reestablish the ancestral home. But I fear that I shall never find any way of so doing. Nevertheless, I try to overcome the karma of my errors by sincere repentance, and by helping as afar as I can, those who are unfortunate."
Kwairyo was pleased by this announcement of good resolve; and he said to the aruji:--
"My friend, I have had occasion to observe that man, prone to folly in their youth, may in after years become very earnest in right living. In the holy sutras it is written that those strongest in wrong-doing can become, by power of good resolve, the strongest in right-doing. I do not doubt that you have a good heart; and I hope that better fortune will come to you. To-night I shall recite the sutras for your sake, and pray that you may obtain the force to overcome the karma of any past errors."
With these assurances, Kwairyo bade the aruji good-night; and his host showed him to a very small side-room, where a bed had been made ready. Then all went to sleep except the priest, who began to read the sutras by the light of a paper lantern. Until a late hour he continued to read and pray: then he opened a little window in his little sleeping-room, to take a last look at the landscape before lying down. The night was beautiful: there was no cloud in the sky: there was no wind; and the strong moonlight threw down sharp black shadows of foliage, and glittered on the dews of the garden. Shrillings of crickets and bell-insects (3) made a musical tumult; and the sound of the neighboring cascade deepened with the night. Kwairyo felt thirsty as he listened to the noise of the water; and, remembering the bamboo aqueduct at the rear of the house, he thought that he could go there and get a drink without disturbing the sleeping household. Very gently he pushed apart the sliding-screens that separated his room from the main apartment; and he saw, by the light of the lantern, five recumbent bodies--without heads!
For one instant he stood bewildered,--imagining a crime. But in another moment he perceived that there was no blood, and that the headless necks did not look as if they had been cut. Then he thought to himself:--"Either this is an illusion made by goblins, or I have been lured into the dwelling of a Rokuro-Kubi... (4) In the book Soshinki (5) it is written that if one find the body of a Rokuro-Kubi without its head, and remove the body to another place, the head will never be able to join itself again to the neck. And the book further says that when the head comes back and finds that its body has been moved, it will strike itself upon the floor three times,--bounding like a ball,--and will pant as in great fear, and presently die. Now, if these be Rokuro-Kubi, they mean me no good;--so I shall be justified in following the instructions of the book."...
He seized the body of the aruji by the feet, pulled it to the window, and pushed it out. Then he went to the back-door, which he found barred; and he surmised that the heads had made their exit through the smoke-hole in the roof, which had been left open. Gently unbarring the door, he made his way to the garden, and proceeded with all possible caution to the grove beyond it. He heard voices talking in the grove; and he went in the direction of the voices,--stealing from shadow to shadow, until he reached a good hiding-place. Then, from behind a trunk, he caught sight of the heads,--all five of them,--flitting about, and chatting as they flitted. They were eating worms and insects which they found on the ground or among the trees. Presently the head of the aruji stopped eating and said:--
"Ah, that traveling priest who came to-night!--how fat all his body is! When we shall have eaten him, our bellies will be well filled... I was foolish to talk to him as I did;--it only set him to reciting the sutras on behalf of my soul! To go near him while he is reciting would be difficult; and we cannot touch him so long as he is praying. But as it is now nearly morning, perhaps he has gone to sleep... Some one of you go to the house and see what the fellow is doing."
Another head--the head of a young woman--immediately rose up and flitted to the house, lightly as a bat. After a few minutes it came back, and cried out huskily, in a tone of great alarm:--
"That traveling priest is not in the house;--he is gone! But that is not the worst of the matter. He has taken the body of our aruji; and I do not know where he has put it."
At this announcement the head of the aruji--distinctly visible in the moonlight--assumed a frightful aspect: its eyes opened monstrously; its hair stood up bristling; and its teeth gnashed. Then a cry burst from its lips; and--weeping tears of rage--it exclaimed:--
"Since my body has been moved, to rejoin it is not possible! Then I must die!... And all through the work of that priest! Before I die I will get at that priest!--I will tear him!--I will devour him!... AND THERE HE IS--behind that tree!--hiding behind that tree! See him !--the fat coward!"...
In the same moment the head of the aruji, followed by the other four heads, sprang at Kwairyo. But the strong priest had already armed himself by plucking up a young tree; and with that tree he struck the heads as they came,--knocking them from him with tremendous blows. Four of them fled away. But the head of the aruji, though battered again and again, desperately continued to bound at the priest, and at last caught him by the left sleeve of his robe. Kwairyo, however, as quickly gripped the head by its topknot, and repeatedly struck it. It did not release its hold; but it uttered a long moan, and thereafter ceased to struggle. It was dead. But its teeth still held the sleeve; and, for all his great strength, Kwairyo could not force open the jaws.
With the head still hanging to his sleeve he went back to the house, and there caught sight of the other four Rokuro-Kubi squatting together, with their bruised and bleeding heads reunited to their bodies. But when they perceived him at the back-door all screamed, "The priest! the priest!"--and fled, through the other doorway, out into the woods.
Eastward the sky was brightening; day was about to dawn; and Kwairyo knew that the power of the goblins was limited to the hours of darkness. He looked at the head clinging to his sleeve,--its face all fouled with blood and foam and clay; and he laughed aloud as he thought to himself: "What a miyage! --the head of a goblin!" After which he gathered together his few belongings, and leisurely descended the mountain to continue his journey.
Right on he journeyed, until he came to Suwa in Shinano; (6) and into the main street of Suwa he solemnly strode, with the head dangling at his elbow. Then woman fainted, and children screamed and ran away; and there was a great crowding and clamoring until the torite (as the police in those days were called) seized the priest, and took him to jail. For they supposed the head to be the head of a murdered man who, in the moment of being killed, had caught the murderer's sleeve in his teeth. As the Kwairyo, he only smiled and said nothing when they questioned him. So, after having passed a night in prison, he was brought before the magistrates of the district. Then he was ordered to explain how he, a priest, had been found with the head of a man fastened to his sleeve, and why he had dared thus shamelessly to parade his crime in the sight of people.
Kwairyo laughed long and loudly at these questions; and then he said:--
"Sirs, I did not fasten the head to my sleeve: it fastened itself there--much against my will. And I have not committed any crime. For this is not the head of a man; it is the head of a goblin;--and, if I caused the death of the goblin, I did not do so by any shedding of blood, but simply by taking the precautions necessary to assure my own safety."... And he proceeded to relate the whole of the adventure,--bursting into another hearty laugh as he told of his encounter with the five heads.
But the magistrates did not laugh. They judged him to be a hardened criminal, and his story an insult to their intelligence. Therefore, without further questioning, they decided to order his immediate execution,--all of them except one, a very old man. This aged officer had made no remark during the trial; but, after having heard the opinion of his colleagues, he rose up, and said:--
"Let us first examine the head carefully; for this, I think, has not yet been done. If the priest has spoken truth, the head itself should bear witness for him... Bring the head here!"
So the head, still holding in its teeth the koromo that had been stripped from Kwairyo's shoulders, was put before the judges. The old man turned it round and round, carefully examined it, and discovered, on the nape of its neck, several strange red characters. He called the attention of his colleagues to these, and also bad them observe that the edges of the neck nowhere presented the appearance of having been cut by any weapon. On the contrary, the line of leverance was smooth as the line at which a falling leaf detaches itself from the stem... Then said the elder:--
"I am quite sure that the priest told us nothing but the truth. This is the head of a Rokuro-Kubi. In the book Nan-ho-i-butsu-shi it is written that certain red characters can always be found upon the nape of the neck of a real Rokuro-Kubi. There are the characters: you can see for yourselves that they have not been painted. Moreover, it is well known that such goblins have been dwelling in the mountains of the province of Kai from very ancient time... But you, Sir," he exclaimed, turning to Kwairyo,--"what sort of sturdy priest may you be? Certainly you have given proof of a courage that few priests possess; and you have the air of a soldier rather than a priest. Perhaps you once belonged to the samurai-class?"
"You have guessed rightly, Sir," Kwairyo responded. "Before becoming a priest, I long followed the profession of arms; and in those days I never feared man or devil. My name then was Isogai Heidazaemon Taketsura of Kyushu: there may be some among you who remember it." At the mention of that name, a murmur of admiration filled the court-room.; for there were many present who remembered it. And Kwairyo immediately found himself among friends instead of judges,--friends anxious to prove their admiration by fraternal kindness. With honor they escorted him to the residence of the daimyo, who welcomed him, and feasted him, and made him a handsome present before allowing him to depart. When Kwairyo left Suwa, he was as happy as any priest is permitted to be in this transitory world. As for the head, he took it with him,--jocosely insisting that he intended it for a miyage.
And now it only remains to tell what became of the head.
A day or two after leaving Suwa, Kwairyo met with a robber, who stopped him in a lonesome place, and bade him strip. Kwairyo at once removed his koromo, and offered it to the robber, who then first perceived what was hanging to the sleeve. Though brave, the highwayman was startled: he dropped the garment, and sprang back. Then he cried out:--"You!--what kind of a priest are you? Why, you are a worse man than I am! It is true that I have killed people; but I never walked about with anybody's head fastened to my sleeve... Well, Sir priest, I suppose we are of the same calling; and I must say that I admire you!... Now that head would be of use to me: I could frighten people with it. Will you sell it? You can have my robe in exchange for your koromo; and I will give you five ryo for the head."
Kwairyo answered:--"I shall let you have the head and the robe if you insist; but I must tell you that this is not the head of a man. It is a goblin's head. So, if you buy it, and have any trouble in consequence, please to remember that you were not deceived by me." "What a nice priest you are!" exclaimed the robber. "You kill men, and jest about it!... But I am really in earnest. Here is my robe; and here is the money;--and let me have the head... What is the use of joking?"
"Take the thing," said Kwairyo. "I was not joking. The only joke--if there be any joke at all--is that you are fool enough to pay good money for a goblin's head." And Kwairyo, loudly laughing, went upon his way.
Thus the robber got the head and the koromo; and for some time he played goblin-priest upon the highways. But, reaching the neighborhood of Suwa, he there leaned the true story of the head; and he then became afraid that the spirit of the Rokuro-Kubi might give him trouble. So he made up his mind to take back the head to the place from which it had come, and to bury it with its body. He found his way to the lonely cottage in the mountains of Kai; but nobody was there, and he could not discover the body. Therefore he buried the head by itself, in the grove behind the cottage; and he had a tombstone set up over the grave; and he caused a Segaki-service to be performed on behalf of the spirit of the Rokuro-Kubi. And that tombstone--known as the Tombstone of the Rokuro-Kubi--may be seen (at least so the Japanese story-teller declares) even unto this day.
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Posted: Tue Aug 19, 2008 11:15 am
Here are some i like and some i didn't read.
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Posted: Tue Aug 19, 2008 11:16 am
THE STORY OF AOYAGI
-------------------------------------------------------------------------------------- In the era of Bummei [1469-1486] there was a young samurai called Tomotada in the service of Hatakeyama Yoshimune, the Lord of Noto . Tomotada was a native of Echizen; but at an early age he had been taken, as page, into the palace of the daimyo of Noto, and had been educated, under the supervision of that prince, for the profession of arms. As he grew up, he proved himself both a good scholar and a good soldier, and continued to enjoy the favor of his prince. Being gifted with an amiable character, a winning address, and a very handsome person, he was admired and much liked by his samurai-comrades.
When Tomotada was about twenty years old, he was sent upon a private mission to Hosokawa Masamoto, the great daimyo of Kyoto, a kinsman of Hatakeyama Yoshimune. Having been ordered to journey through Echizen, the youth requested and obtained permission to pay a visit, on the way, to his widowed mother.
It was the coldest period of the year when he started; and, though mounted upon a powerful horse, he found himself obliged to proceed slowly. The road which he followed passed through a mountain-district where the settlements were few and far between; and on the second day of his journey, after a weary ride of hours, he was dismayed to find that he could not reached his intended halting-place until late in the night. He had reason to be anxious;--for a heavy snowstorm came on, with an intensely cold wind; and the horse showed signs of exhaustion. But in that trying moment, Tomotada unexpectedly perceived the thatched room of a cottage on the summit of a near hill, where willow-trees were growing. With difficulty he urged his tired animal to the dwelling; and he loudly knocked upon the storm-doors, which had been closed against the wind. An old woman opened them, and cried out compassionately at the sight of the handsome stranger: "Ah, how pitiful!--a young gentleman traveling alone in such weather!... Deign, young master, to enter."
Tomotada dismounted, and after leading his horse to a shed in the rear, entered the cottage, where he saw an old man and a girl warming themselves by a fire of bamboo splints. They respectfully invited him to approach the fire; and the old folks then proceeded to warm some rice-wine, and to prepare food for the traveler, whom they ventured to question in regard to his journey. Meanwhile the young girl disappeared behind a screen. Tomotada had observed, with astonishment, that she was extremely beautiful,--though her attire was of the most wretched kind, and her long, loose hair in disorder. He wondered that so handsome a girl should be living in such a miserable and lonesome place.
The old man said to him:--
"Honored Sir, the next village is far; and the snow is falling thickly. The wind is piercing; and the road is very bad. Therefore, to proceed further this night would probably be dangerous. Although this hovel is unworthy of your presence, and although we have not any comfort to offer, perhaps it were safer to remain to-night under this miserable roof... We would take good care of your horse."
Tomotada accepted this humble proposal,--secretly glad of the chance thus afforded him to see more of the young girl. Presently a coarse but ample meal was set before him; and the girl came from behind the screen, to serve the wine. She was now reclad, in a rough but cleanly robe of homespun; and her long, loose hair had been neatly combed and smoothed. As she bent forward to fill his cup, Tomotada was amazed to perceive that she was incomparably more beautiful than any woman whom he had ever before seen; and there was a grace about her every motion that astonished him. But the elders began to apologize for her, saying: "Sir, our daughter, Aoyagi, [1] has been brought up here in the mountains, almost alone; and she knows nothing of gentle service. We pray that you will pardon her stupidity and her ignorance." Tomotada protested that he deemed himself lucky to be waited upon by so comely a maiden. He could not turn his eyes away from her--though he saw that his admiring gaze made her blush;--and he left the wine and food untasted before him. The mother said: "Kind Sir, we very much hope that you will try to eat and to drink a little,--though our peasant-fare is of the worst,--as you must have been chilled by that piercing wind." Then, to please the old folks, Tomotada ate and drank as he could; but the charm of the blushing girl still grew upon him. He talked with her, and found that her speech was sweet as her face. Brought up in the mountains as she might have been;--but, in that case, her parents must at some time been persons of high degree; for she spoke and moved like a damsel of rank. Suddenly he addressed her with a poem--which was also a question--inspired by the delight in his heart:--"Tadzunetsuru, Hana ka tote koso, Hi wo kurase, Akenu ni otoru Akane sasuran?"
["Being on my way to pay a visit, I found that which I took to be a flower: therefore here I spend the day... Why, in the time before dawn, the dawn-blush tint should glow--that, indeed, I know not."] [2]
Without a moment's hesitation, she answered him in these verses:--"Izuru hi no Honomeku iro wo Waga sode ni Tsutsumaba asu mo Kimiya tomaran."
[If with my sleeve I hid the faint fair color of the dawning sun,--then, perhaps, in the morning my lord will remain."] [3]
Then Tomotada knew that she accepted his admiration; and he was scarcely less surprised by the art with which she had uttered her feelings in verse, than delighted by the assurance which the verses conveyed. He was now certain that in all this world he could not hope to meet, much less to win, a girl more beautiful and witty than this rustic maid before him; and a voice in his heart seemed to cry out urgently, "Take the luck that the gods have put in your way!" In short he was bewitched--bewitched to such a degree that, without further preliminary, he asked the old people to give him their daughter in marriage,--telling them, at the same time, his name and lineage, and his rank in the train of the Lord of Noto.
They bowed down before him, with many exclamations of grateful astonishment. But, after some moments of apparent hesitation, the father replied:--
"Honored master, you are a person of high position, and likely to rise to still higher things. Too great is the favor that you deign to offer us;--indeed, the depth of our gratitude therefor is not to be spoken or measured. But this girl of ours, being a stupid country-girl of vulgar birth, with no training or teaching of any sort, it would be improper to let her become the wife of a noble samurai. Even to speak of such a matter is not right... But, since you find the girl to your liking, and have condescended to pardon her peasant-manners and to overlook her great rudeness, we do gladly present her to you, for an humble handmaid. Deign, therefore, to act hereafter in her regard according to your august pleasure."
Ere morning the storm had passed; and day broke through a cloudless east. Even if the sleeve of Aoyagi hid from her lover's eyes the rose-blush of that dawn, he could no longer tarry. But neither could he resign himself to part with the girl; and, when everything had been prepared for his journey, he thus addressed her parents:--
"Though it may seem thankless to ask for more than I have already received, I must again beg you to give me your daughter for wife. It would be difficult for me to separate from her now; and as she is willing to accompany me, if you permit, I can take her with me as she is. If you will give her to me, I shall ever cherish you as parents... And, in the meantime, please to accept this poor acknowledgment of your kindest hospitality."
So saying, he placed before his humble host a purse of gold ryo. But the old man, after many prostrations, gently pushed back the gift, and said:--
"Kind master, the gold would be of no use to us; and you will probably have need of it during your long, cold journey. Here we buy nothing; and we could not spend so much money upon ourselves, even if we wished... As for the girl, we have already bestowed her as a free gift;--she belongs to you: therefore it is not necessary to ask our leave to take her away. Already she has told us that she hopes to accompany you, and to remain your servant for as long as you may be willing to endure her presence. We are only too happy to know that you deign to accept her; and we pray that you will not trouble yourself on our account. In this place we could not provide her with proper clothing,--much less with a dowry. Moreover, being old, we should in any event have to separate from her before long. Therefore it is very fortunate that you should be willing to take her with you now."
It was in vain that Tomotada tried to persuade the old people to accept a present: he found that they cared nothing for money. But he saw that they were really anxious to trust their daughter's fate to his hands; and he therefore decided to take her with him. So he placed her upon his horse, and bade the old folks farewell for the time being, with many sincere expressions of gratitude.
"honored Sir," the father made answer, "it is we, and not you, who have reason for gratitude. We are sure that you will be kind to our girl; and we have no fears for her sake."...
[Here, in the Japanese original, there is a queer break in the natural course of the narration, which therefrom remains curiously inconsistent. Nothing further is said about the mother of Tomotada, or about the parents of Aoyagi, or about the daimyo of Noto. Evidently the writer wearied of his work at this point, and hurried the story, very carelessly, to its startling end. I am not able to supply his omissions, or to repair his faults of construction; but I must venture to put in a few explanatory details, without which the rest of the tale would not hold together... It appears that Tomotada rashly took Aoyagi with him to Kyoto, and so got into trouble; but we are not informed as to where the couple lived afterwards.]
...Now a samurai was not allowed to marry without the consent of his lord; and Tomotada could not expect to obtain this sanction before his mission had been accomplished. He had reason, under such circumstances, to fear that the beauty of Aoyagi might attract dangerous attention, and that means might be devised of taking her away from him. In Kyoto he therefore tried to keep her hidden from curious eyes. But a retainer of Lord Hosokawa one day caught sight of Aoyagi, discovered her relation to Tomotada, and reported the matter to the daimyo. Thereupon the daimyo--a young prince, and fond of pretty faces--gave orders that the girl should be brought to the place; and she was taken thither at once, without ceremony.
Tomotada sorrowed unspeakably; but he knew himself powerless. He was only an humble messenger in the service of a far-off daimyo; and for the time being he was at the mercy of a much more powerful daimyo, whose wishes were not to be questioned. Moreover Tomotada knew that he had acted foolishly,--that he had brought about his own misfortune, by entering into a clandestine relation which the code of the military class condemned. There was now but one hope for him,--a desperate hope: that Aoyagi might be able and willing to escape and to flee with him. After long reflection, he resolved to try to send her a letter. The attempt would be dangerous, of course: any writing sent to her might find its way to the hands of the daimyo; and to send a love-letter to anyinmate of the place was an unpardonable offense. But he resolved to dare the risk; and, in the form of a Chinese poem, he composed a letter which he endeavored to have conveyed to her. The poem was written with only twenty-eight characters. But with those twenty-eight characters he was about to express all the depth of his passion, and to suggest all the pain of his loss:--[4] Koshi o-son gojin wo ou; Ryokuju namida wo tarete rakin wo hitataru; Komon hitotabi irite fukaki koto umi no gotoshi; Kore yori shoro kore rojin
[Closely, closely the youthful prince now follows after the gem-bright maid;--
The tears of the fair one, falling, have moistened all her robes.
But the august lord, having one become enamored of her--the depth of his longing is like the depth of the sea.
Therefore it is only I that am left forlorn,--only I that am left to wander along.]
On the evening of the day after this poem had been sent, Tomotada was summoned to appear before the Lord Hosokawa. The youth at once suspected that his confidence had been betrayed; and he could not hope, if his letter had been seen by the daimyo, to escape the severest penalty. "Now he will order my death," thought Tomotada;--"but I do not care to live unless Aoyagi be restored to me. Besides, if the death-sentence be passed, I can at least try to kill Hosokawa." He slipped his swords into his girdle, and hastened to the palace.
On entering the presence-room he saw the Lord Hosokawa seated upon the dais, surrounded by samurai of high rank, in caps and robes of ceremony. All were silent as statues; and while Tomotada advanced to make obeisance, the hush seemed to his sinister and heavy, like the stillness before a storm. But Hosokawa suddenly descended from the dais, and, while taking the youth by the arm, began to repeat the words of the poem:--"Koshi o-son gojin wo ou."... And Tomotada, looking up, saw kindly tears in the prince's eyes.
Then said Hosokawa:--
"Because you love each other so much, I have taken it upon myself to authorize your marriage, in lieu of my kinsman, the Lord of Noto; and your wedding shall now be celebrated before me. The guests are assembled;--the gifts are ready."
At a signal from the lord, the sliding-screens concealing a further apartment were pushed open; and Tomotada saw there many dignitaries of the court, assembled for the ceremony, and Aoyagi awaiting him in brides' apparel... Thus was she given back to him;--and the wedding was joyous and splendid;--and precious gifts were made to the young couple by the prince, and by the members of his household.
* * *
For five happy years, after that wedding, Tomotada and Aoyagi dwelt together. But one morning Aoyagi, while talking with her husband about some household matter, suddenly uttered a great cry of pain, and then became very white and still. After a few moments she said, in a feeble voice: "Pardon me for thus rudely crying out--but the paid was so sudden!... My dear husband, our union must have been brought about through some Karma-relation in a former state of existence; and that happy relation, I think, will bring us again together in more than one life to come. But for this present existence of ours, the relation is now ended;--we are about to be separated. Repeat for me, I beseech you, the Nembutsu-prayer,--because I am dying."
"Oh! what strange wild fancies!" cried the startled husband,--"you are only a little unwell, my dear one!... lie down for a while, and rest; and the sickness will pass."...
"No, no!" she responded--"I am dying!--I do not imagine it;--I know!... And it were needless now, my dear husband, to hide the truth from you any longer:--I am not a human being. The soul of a tree is my soul;--the heart of a tree is my heart;--the sap of the willow is my life. And some one, at this cruel moment, is cutting down my tree;--that is why I must die!... Even to weep were now beyond my strength!--quickly, quickly repeat the Nembutsu for me... quickly!... Ah!...
With another cry of pain she turned aside her beautiful head, and tried to hide her face behind her sleeve. But almost in the same moment her whole form appeared to collapse in the strangest way, and to sank down, down, down--level with the floor. Tomotada had spring to support her;--but there was nothing to support! There lay on the matting only the empty robes of the fair creature and the ornaments that she had worn in her hair: the body had ceased to exist...
Tomotada shaved his head, took the Buddhist vows, and became an itinerant priest. He traveled through all the provinces of the empire; and, at holy places which he visited, he offered up prayers for the soul of Aoyagi. Reaching Echizen, in the course of his pilgrimage, he sought the home of the parents of his beloved. But when he arrived at the lonely place among the hills, where their dwelling had been, he found that the cottage had disappeared. There was nothing to mark even the spot where it had stood, except the stumps of three willows--two old trees and one young tree--that had been cut down long before his arrival.
Beside the stumps of those willow-trees he erected a memorial tomb, inscribed with divers holy texts; and he there performed many Buddhist services on behalf of the spirits of Aoyagi and of her parents.
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Posted: Tue Aug 19, 2008 11:21 am
YUKI-ONNA
-------------------------------------------------------------------------------------- In a village of Musashi Province (1), there lived two woodcutters: Mosaku and Minokichi. At the time of which I am speaking, Mosaku was an old man; and Minokichi, his apprentice, was a lad of eighteen years. Every day they went together to a forest situated about five miles from their village. On the way to that forest there is a wide river to cross; and there is a ferry-boat. Several times a bridge was built where the ferry is; but the bridge was each time carried away by a flood. No common bridge can resist the current there when the river rises.
Mosaku and Minokichi were on their way home, one very cold evening, when a great snowstorm overtook them. They reached the ferry; and they found that the boatman had gone away, leaving his boat on the other side of the river. It was no day for swimming; and the woodcutters took shelter in the ferryman's hut,--thinking themselves lucky to find any shelter at all. There was no brazier in the hut, nor any place in which to make a fire: it was only a two-mat [1] hut, with a single door, but no window. Mosaku and Minokichi fastened the door, and lay down to rest, with their straw rain-coats over them. At first they did not feel very cold; and they thought that the storm would soon be over.
The old man almost immediately fell asleep; but the boy, Minokichi, lay awake a long time, listening to the awful wind, and the continual slashing of the snow against the door. The river was roaring; and the hut swayed and creaked like a junk at sea. It was a terrible storm; and the air was every moment becoming colder; and Minokichi shivered under his rain-coat. But at last, in spite of the cold, he too fell asleep.
He was awakened by a showering of snow in his face. The door of the hut had been forced open; and, by the snow-light (yuki-akari), he saw a woman in the room,--a woman all in white. She was bending above Mosaku, and blowing her breath upon him;--and her breath was like a bright white smoke. Almost in the same moment she turned to Minokichi, and stooped over him. He tried to cry out, but found that he could not utter any sound. The white woman bent down over him, lower and lower, until her face almost touched him; and he saw that she was very beautiful,--though her eyes made him afraid. For a little time she continued to look at him;--then she smiled, and she whispered:--"I intended to treat you like the other man. But I cannot help feeling some pity for you,--because you are so young... You are a pretty boy, Minokichi; and I will not hurt you now. But, if you ever tell anybody--even your own mother--about what you have seen this night, I shall know it; and then I will kill you... Remember what I say!"
With these words, she turned from him, and passed through the doorway. Then he found himself able to move; and he sprang up, and looked out. But the woman was nowhere to be seen; and the snow was driving furiously into the hut. Minokichi closed the door, and secured it by fixing several billets of wood against it. He wondered if the wind had blown it open;--he thought that he might have been only dreaming, and might have mistaken the gleam of the snow-light in the doorway for the figure of a white woman: but he could not be sure. He called to Mosaku, and was frightened because the old man did not answer. He put out his hand in the dark, and touched Mosaku's face, and found that it was ice! Mosaku was stark and dead...
By dawn the storm was over; and when the ferryman returned to his station, a little after sunrise, he found Minokichi lying senseless beside the frozen body of Mosaku. Minokichi was promptly cared for, and soon came to himself; but he remained a long time ill from the effects of the cold of that terrible night. He had been greatly frightened also by the old man's death; but he said nothing about the vision of the woman in white. As soon as he got well again, he returned to his calling,--going alone every morning to the forest, and coming back at nightfall with his bundles of wood, which his mother helped him to sell.
One evening, in the winter of the following year, as he was on his way home, he overtook a girl who happened to be traveling by the same road. She was a tall, slim girl, very good-looking; and she answered Minokichi's greeting in a voice as pleasant to the ear as the voice of a song-bird. Then he walked beside her; and they began to talk. The girl said that her name was O-Yuki ; that she had lately lost both of her parents; and that she was going to Yedo , where she happened to have some poor relations, who might help her to find a situation as a servant. Minokichi soon felt charmed by this strange girl; and the more that he looked at her, the handsomer she appeared to be. He asked her whether she was yet betrothed; and she answered, laughingly, that she was free. Then, in her turn, she asked Minokichi whether he was married, or pledge to marry; and he told her that, although he had only a widowed mother to support, the question of an "honorable daughter-in-law" had not yet been considered, as he was very young... After these confidences, they walked on for a long while without speaking; but, as the proverb declares, Ki ga areba, me mo kuchi hodo ni mono wo iu: "When the wish is there, the eyes can say as much as the mouth." By the time they reached the village, they had become very much pleased with each other; and then Minokichi asked O-Yuki to rest awhile at his house. After some shy hesitation, she went there with him; and his mother made her welcome, and prepared a warm meal for her. O-Yuki behaved so nicely that Minokichi's mother took a sudden fancy to her, and persuaded her to delay her journey to Yedo. And the natural end of the matter was that Yuki never went to Yedo at all. She remained in the house, as an "honorable daughter-in-law."
O-Yuki proved a very good daughter-in-law. When Minokichi's mother came to die,--some five years later,--her last words were words of affection and praise for the wife of her son. And O-Yuki bore Minokichi ten children, boys and girls,--handsome children all of them, and very fair of skin.
The country-folk thought O-Yuki a wonderful person, by nature different from themselves. Most of the peasant-women age early; but O-Yuki, even after having become the mother of ten children, looked as young and fresh as on the day when she had first come to the village.
One night, after the children had gone to sleep, O-Yuki was sewing by the light of a paper lamp; and Minokichi, watching her, said:--
"To see you sewing there, with the light on your face, makes me think of a strange thing that happened when I was a lad of eighteen. I then saw somebody as beautiful and white as you are now--indeed, she was very like you."...
Without lifting her eyes from her work, O-Yuki responded:--
"Tell me about her... Where did you see her?
Then Minokichi told her about the terrible night in the ferryman's hut,--and about the White Woman that had stooped above him, smiling and whispering,--and about the silent death of old Mosaku. And he said:--
"Asleep or awake, that was the only time that I saw a being as beautiful as you. Of course, she was not a human being; and I was afraid of her,--very much afraid,--but she was so white!... Indeed, I have never been sure whether it was a dream that I saw, or the Woman of theSnow."...
O-Yuki flung down her sewing, and arose, and bowed above Minokichi where he sat, and shrieked into his face:--
"It was I--I--I! Yuki it was! And I told you then that I would kill you if you ever said one work about it!... But for those children asleep there, I would kill you this moment! And now you had better take very, very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!"...
Even as she screamed, her voice became thin, like a crying of wind;--then she melted into a bright white mist that spired to the roof-beams, and shuddered away through the smoke-hold... Never again was she seen.
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Posted: Wed Aug 20, 2008 5:29 pm
Is anyone reading these!!?
..There Good!!!
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Posted: Fri Oct 10, 2008 5:18 pm
I'm not sure if I'm allowed to post her but anyway I really love your collection of stories here, I really like the one with the Jikininki and the Yuki-Onna. Do you also have the story of the Death Rock or Tamamo no Mae, or the Fox Sister? Are other people allowed to post east Asian folklore here? [If people aren't allowed to post here or this was a nuisance please delete my post and sorry for having bothered your thread. Thank you.]
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Posted: Thu Oct 16, 2008 1:04 pm
Rinnoshi I'm not sure if I'm allowed to post her but anyway I really love your collection of stories here, I really like the one with the Jikininki and the Yuki-Onna. Do you also have the story of the Death Rock or Tamamo no Mae, or the Fox Sister? Are other people allowed to post east Asian folklore here? [If people aren't allowed to post here or this was a nuisance please delete my post and sorry for having bothered your thread. Thank you.] Please post tem!
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Posted: Sat Oct 18, 2008 6:20 pm
Tamamo No MaeDuring the reign of Emperor Konoe, in around 1155, a servant-girl worked in devotion at the Court of Cloistered Emperor Toba. Later, she would come to be called Tamamo-no-mae, the smartest and most beautiful woman in the whole country and perhaps the world. Mysteriously, Tamamo-no-mae's body naturally exuded a lovely scent, and her clothes stayed beautiful all day. She was therefore not just an overwhelming favorite of Emperor Toba. Everyone in the court was infatuated with her. What is more, Tamamo-no-mae was not just beautiful, she was also extremely knowledgeable. She looked a mere twenty years old, but there was nothing she did not know. Whatever the question asked of her was, she would grin and reply in easily understood words. So strange was it, the Emperor decided to go and test Tamamo-no-mae, and he asked her a question on one particularly difficult Buddhist teaching. When he did, Tamamo-no-mae replied by explaining with a word for word quote from a volume written long ago by some great monks. The Emperor and all the other courtesans were stunned when they heard this. Then, the Emperor prepared an even tougher riddle. "In the sky there is what they call the 'Milky Way.' What really is it?" "How should someone like me know? But I think it is probably the spirit of the clouds." "Indeed. The spirit of the clouds ... interesting." The Emperor was awestruck. So deep was the favor that Tamamo-no-mae earned with the Emperor that he kept her at his side day and night. He cherished her as if she was his empress. Sometime around September 20, there was a performance of poetry and music at the Seiryoden, the serene, cool chamber. The Emperor took her along and they sat within the bamboo blinds. Just at that moment, a strong wind rushed through, blowing out the fire of the lanterns, and the room was plunged into darkness.Yet in an instant, there seemed to be light emanating from Tamamo-no-mae's body. Surprised, the honorable ministers looked around and realized that the light was spilling from within the bamboo blinds that surrounded her. The light was like the morning sun. Ignoring the music, the Emperor declared in response to the minister's enquiries, "She is quite a mystery. There is no doubt that she is the embodiment of the Buddha and the Bodhisattva." When the bamboo blinds were raised, it became brighter than noon even though it was darkest night. The light was just like a glowing bulb, and that is how she came to be known as Tamamo-no-mae. Upon the command to "ask Tamamo-no-mae something you want to know," a young courtesan stepped forth with a question about the orchestra. Tamamo-no-mae answered this too with ease, leaving everyone present speechless with admiration. Afterwards, she revealed her knowledge of how all things came into being, from the musical instruments of the lute and the flute to stationary, fans and carriages, surprising people even more. The Emperor may have seemed quite fearful, but drawn to the beauty of Tamamo-no-mae, he had exchanged deep vows with her. However, the Emperor was suddenly taken ill, and with no idea of the reason, he became sicker by the day. According to the diagnosis of the chief court physician, the sickness had been brought on by evil, and therefore was not something that a doctor could treat. So he went to see the fortune teller Yasunari. Yasunari cast his fortune. He divined that something big would happen to the Emperor, and told him to start praying immediately. The whole palace went into a frenzy. High monks were brought from temples everywhere and made to pray en masse. So he went to see the fortune teller Yasunari. Yasunari cast his fortune. He divined that something big would happen to the Emperor, and told him to start praying immediately. The whole palace went into a frenzy. High monks were brought from temples everywhere and made to pray en masse. However, the prayers were having no effect whatsoever, and the Emperor's condition simply continued to worsen. Shedding tears, he took Tamamo-no-mae by the hand and cried to her, "Such a pity that I shall die, to leave you behind ..." Upon hearing this, Tamamo-no-mae, still prostrate and wailing, replied, "So kindly allowing such a pitiable creature as myself to serve you would have been for nought if you were to leave us, I could not live. I will be devoted to you wherever we are." The prayers were getting nowhere. One by one the monks began to leave. When Yasunari was asked to cast the Emperor's fortune once again, he seemed to be having trouble talking. Finally, he was told, "Don't be scared, just say it," and so the fortune teller said, "The Emperor is ill because of Tamamo-no-mae. If Tamamo-no-mae goes far away you will surely get better." The troubled nobles pressed him for more details. It turned out that Tamamo-no-mae was really a hundred-year-old fox living on the Nasuno Plain in Shimotsuke-no-Kuni (present day Tochigi). The fox was 42 feet tall and had two tails. Disguised as a beautiful woman, he would gain access to the ruler and shorten his life in a devilish plot to take over as ruler. People secretly told the Emperor this, but he did not believe them. Meanwhile, he continued to get sicker and sicker. Following Yasunari's advice, the Emperor was to worship the god Taizan-fukun, and Tamamo-no-mae was ordered to make an offering to the gods. Although she disdained the task immediately as a wearisome chore, she was persuaded to assent to it by the ministers who said that if this cured the Emperor, she would gain admiration. So that very day, Tamamo-no-mae, more smartly dressed than ever, in the middle of reading a formula and looking as though she was about to ceremonially wave a hemp cloth, suddenly disappeared. Just as Yasunari had predicted, she was indeed a fox in disguise. Everyone was racking their brains: How to get rid of this fox? Many worried about whether it was possible to eradicate such a creature with human strength, but finally, believing they could pull it off by gathering together all the reputed archers of the land, they decided the warriors would hunt the fox. The most superb warriors of the day were said to be Kazusa-nosuke and Miura-nosuke. The Emperor ordered them to hunt down the fox. Accepting the Emperor's orders, they purified themselves, proclaimed that there was no higher honor and roused their families and retainers to join the mission. Then they set out, the two warriors galloping off ahead of their entourage. As they pushed into the grasses of the wide Nasuno Plain, they came upon the two-tailed fox they had all heard about. Everyone chased the fox to lay their hands on some of the glory, but as it was a creature with supernatural powers, the fox cleverly escaped. So the fighters withdrew for a time, planning another attempt with a new attack strategy using martial arts. Kazusa-nosuke practiced hitting a ball dropped from his horse, and Miura-nosuke practiced with his bow and arrow using dogs instead of foxes as targets. Then, they set out for Nasuno Plain to once again hunt the fox, but after seven days they had achieved nothing and by then, the retainers could not hide their tiredness. Kazusa-nosuke and Miura-nosuke swore that they would never return to their hometown alive, such would be the disgrace of somehow failing to hunt down the fox, and they prayed to the gods for their grace. Then, Miura-nosuke took a short nap during which he had a dream. In his dream, a beautiful women of about 20 appeared and begged him, crying, "Tomorrow I will regrettably lose my life to you. Please save me." When he woke up, Miura-nosuke, who had refused her on no uncertain terms in his dream, rounded up the entourage and led the charge forth, proclaiming that today was the day that they would bring down the fox. Just at daybreak, a certain fox attempted to flee for the mountains. Miura-nosuke whipped his horse and approached the fox, then shot his arrow. The arrow made a perfect direct hit on the fox, and it tumbled to the ground. "Gotcha!" he cried, dismounting his horse. As he goes got closer, the creature was more wondrous than any rumor had hinted. The corpse of the fox was soon taken to the capital, and Kazusa-nosuke and Miura-nosuke went to the capital as well. Even the Emperor was impressed with this unprecendented achievement, and a re-creation of the fox hunt was held in the presence of the Emperor at the very spot on the Nasuno Plain where it had taken place. Everybody went along to witness the performance. The body of the fox certainly gave birth to a variety of rare treasures. **THE END** Source: Tamamo-no-MaeThere is a sequel to this story...
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Posted: Sat Oct 18, 2008 6:23 pm
The Death RockThe Buddhist priest Genno, after much weary travel, came to the moor of Nasu, and was about to rest under the shadow of a great stone, when a spirit suddenly appeared and said: "Rest not under this stone. This is the Death-Stone. Men, birds, and beasts have perished merely by touching it!" These mysterious and warning remarks naturally awakened Genno's curiosity, and he begged that the spirit would favor him with the story of the Death-Stone. Thus the spirit began: "Long ago there was a fair girl living at the Japanese Court. She was so charming that she was called the Jewel Maiden. Her wisdom equaled her beauty, for she understood Buddhist lore and the Confucian classics, science, and the poetry of China. One night, the Mikado gave a great feast in the Summer Palace, and there he assembled the wit, wisdom, and beauty of the land." "It was a brilliant gathering, but while the company ate and drank, accompanied by the strains of sweet music, darkness crept over the great apartment. Black clouds raced across the sky, and there was not a star to be seen. While the guests sat rigid with fear a mysterious wind arose. It howled through the summer palace and blew out all the lanterns." "The complete darkness produced a state of panic, and during the uproar some one cried out 'A light! A light!' From that very hour the Mikado sickened. He grew so ill that the court magician was sent for, and this worthy soul speedily ascertained the cause of His Majesty's decline. He stated, with much warmth of language, that the Jewel Maiden was a harlot and a fiend who, with insidious art, bewitched the Mikado in order to destroy him! The magician's words turned the Mikado's heart against the Jewel Maiden. When this sorceress was spurned she resumed her original shape, that of a fox, and ran away to this very stone on Nasu moor." The priest looked at the spirit critically. "Who are you?" he said at length. "I am the demon that once dwelt in the breast of the Jewel Maiden! Now I inhabit the Death-Stone for evermore!" The good Genno was much horrified by this dreadful confession, but, remembering his duty as a priest, he said: "Though you have sunk low in wickedness, you shall rise to virtue again. Take this priestly robe and begging-bowl, and reveal to me your fox form." Then this wicked spirit cried pitifully: "In the garish light of day I hide myself away, like pale Asama's fires. With the night I'll come again, confess my guilt and pain and new-born pure desires." With these words the spirit vanished. Genno did not relinquish his good intentions. He strove more ardently than ever for this erring soul's salvation. In order that she might attain nirvana, he offered flowers, burnt incense, and recited the sacred Scriptures in front of the stone. When Genno had performed several of these religious duties he said: "Spirit of the Death-Stone I conjure thee! What was it in your former world that did cause thee to assume in this so foul a shape?" Suddenly the Death-Stone was rent and the spirit did appear once more, crying: "In stones there are sprites, in the waters is a voice heard. The wind sweeps across the firmament." Genno saw a lurid glare about him and, in the shining light, a fox suddenly turned into a beautiful maiden. Thus spoke the spirit of the Death-Stone: "I am she who first, in Ind, was the demon to whom prince Hazoku paid homage. In Great Cathay I took the form of Hoji, consort of Emperor Iuwao; and at the Court of the Rising Sun I became the Flawless Jewel Maiden, concubine to Emperor Toba." The spirit confessed to Genno that in the form of the Jewel Maiden she had desired to bring destruction to the Imperial line. "Already," said the spirit, "I was making my plans, already I was gloating over the thought of the Mikado's death, and had it not been for the power of the Court Magician I should have succeeded in my scheme. As I have told you, I was driven from the court. I was pursued by dogs and arrows, and finally sank exhausted into the Death-Stone. From time to time I haunted this Moor. Now the Lord Buddha has had compassion upon me, and he has sent his priest to point out the way of true religion and to bring peace." The legend concludes with the following pious utterances poured forth by the now contrite spirit: "I swear, Oh man of God! I swear to thee whole blessing wafts me to the skies. I swear a solemn oath, that shall endure firm as the Death-Stone standing on the moor, that from this hour I am virtue's child alone!" And with that the Spirit vanished underneath the stone, never to be seen again. **THE END** Source: The Death Rock
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Posted: Sat Oct 18, 2008 6:26 pm
The Fox Sister A long time ago there was a man who had three sons but no daughter. It was his dearest wish to have a daughter, so he went up into the mountains and prayed to the spirits. One night, after months of prayer, he was so desperate he said, "Please, Hannanim, give me a daughter even if she is a fox!" Soon the man discovered that his wife was pregnant, and in time she had a beautiful girl. The man was happy. But when the daughter was about six years old, strange things began to happen. Every night a cow would die, and in the morning they could never find a trace of what had killed it. So man told his first son to keep watch one night. In the morning, the first son told a terrible story of what had happened. "Father, I could not believe my own eyes," he said. "It is our little sister who is killing the cattle. She came out in the middle of the night and I followed her to the cattle shed. By the moonlight I could see her as she did a little dance. Then she oiled her hand and her arm with sesame oil. She shoved her whole arm into the cow’s a**s and pulled out its liver. She ate it raw while the cow died without a sound. That is all I saw, father, for it was too horrible to witness any longer." The father was outraged. "That is not possible," he said. "Tell me the truth." "That is the truth, Father." "Then you must have had a nightmare. That means you have betrayed my trust by falling asleep when you were supposed to keep watch. Leave my sight at once! You are no longer my son!" And so he threw out his eldest son. Now it was the second son’s turn to keep watch. Everything was fine for a month, but then when the full moon came around the same thing happened, and in the morning he made his report to his father. "That is not possible," said the father. "Tell me the truth." "That is the truth, Father." "Then you must have had a nightmare. That means you have betrayed my trust by falling asleep when you were supposed to keep watch. Leave my sight at once! You are no longer my son!" And so he threw out his second son. So it was the youngest son’s turn to keep watch over his sister, and once again, everything was fine for a month. When the full moon came around, the same thing happened, but having seen the fates of his older brothers, the youngest son lied. "Father," he said. "Our little sister came out in the middle of the night and I followed her to the outhouse. She made water and came out again. As I passed by the cattle shed in the moonlight I saw that a cow had died. It must have been frightened by the full moon." "Then you have done your duty as a son should," said the father. "You shall inherit my lands when I have gone to join our ancestors." Meanwhile, the first two sons were no more than beggars wandering the countryside. Eventually they had both come to the top of a mountain where an old Buddhist master took them in and they studied diligently with him until their hearts grew sore to see their home again. After a year they decided to return to their village for a visit. The old master made the two brothers a gift of three magic bottles, one white, one blue, and one red. "Use these as I have instructed," he told them, "and you shall be able to defeat any foe, even that sister of yours, who is surely a fox demon." The brothers thanked the old monk and returned to their village to find it entirely deserted. When they reached their house they found the roof in terrible disrepair and yard overgrown with weeds. Inside, the paper panels on the doors were all in tatters. They found their sister all alone. "Where is everyone? Where is father? Where is our youngest brother? Where is mother?" they asked. "They’re all dead," said the sister. She didn’t explain, but the brothers knew why. "I’m all alone now," she said. "Brothers, won’t you stay with me?" "No," they said. "We must be on our way. There is nothing for us here." "Why, it’s nearly dark," said the sister. "Won’t you at least stay the night?" They reluctantly agreed, and somehow the sister prepared them a fabulous meal with wine that night. They were suspicious, and they planned to take turns keeping watch that night, but they had been so starved during their year of poverty that they ate and drank their fill and soon they were fast asleep. In the middle of the night the older brother awoke suddenly with a full bladder. He thought his younger brother was still eating -- it sounded like someone chewing -- so he turned over in annoyance to tell him to stop. In the moonlight he saw the table still in the room, their leftovers strewn about. But instead of white rice, what he saw were maggots. Instead of wine, there were cups of blood. Instead of turnip kimchi there were severed human fingers. He sat up in horror, realizing what he had eaten, and then he saw what was making the noise -- it was his sister straddling his dead brother’s body, chewing on his bloody liver. "Did you sleep well, dear oldest brother?" she said. "I need only one more, and then I will be a human being." The oldest brother leaped from his sleeping mat and ran out of the house. He was still groggy from the enchanted food, and he stumbled and staggered as he ran down the road in the moonlight. Soon his sister gave chase and she easily caught up to him. Remembering the old Buddhist monk's instructions, the brother took the white bottle and threw it behind him. Suddenly, in a puff of smoke, a vast thicket of thorn bushes blocked the sister's way. She was trapped for a moment, but then she changed into her original form -- that of the fox -- and easily escaped. In a short time she had caught up to him again. This time the brother took the blue bottle and threw it behind him. There was a loud splash, and a vast lake appeared. Once again the sister was trapped. She struggled to swim, but then she changed into the fox again and easily paddled ashore. The oldest brother was exhausted and terrified. He could run no more. He took the red bottle and he flung it at the fox, saying, "Ya! Take that!" There was a blinding flash of light, and the fox was engulfed in a ball of fire. She burned to death, screaming, and when there were only ashes left a small, whining insect flew out. And that is how the first mosquito came into the world. And that is why both the fox and the mosquito are afraid of grass fires. **THE END** Source: The Fox Sister
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Posted: Sat Oct 18, 2008 6:45 pm
Thank you for the delightful stories i liked them alot and they will stay in my memory for a long time.
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