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 Posted: Sun May 28, 2006 5:20 pm
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Posted: Sun May 28, 2006 5:43 pm
pablo picasso, les domiselles d'avigon, 1907, early cubisim, spanish
picasso breaks down the surfaces of the canvus and the objects into angles and facets. The classical training references; nude figures, still life, venus refences (in poses). Primitisim refences, mask like faces, african maskes, and meditrianian colors
this painting was about the fear of dease, the break down of social order, and it was an important statement, and near and dear to the artists own concerns (the importance amplified by bringing a curtin, baroque for theatrical drama).
pablo picasso, les domiselles, 1907, early cubisim, spanish
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Posted: Sun May 28, 2006 5:49 pm
franz marc, fate of the animals, 1913, german, the blue rider (cubist)
this image is reminisent of stained class, and shows a very bad outlook for animals, an angsty look. Blue-hope.
made in the years before wwi, franz marc had a very bad outlook towards humans, so he looked to animals, which he thought were pure and beatiful. The blue reprsents spirtiuality, yellow, senstativy, and red, the brutilness. The energy he captured depicts some kind of apoctoliptic event destorying animals.
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Posted: Sun May 28, 2006 5:50 pm
vassily kandinsky, (made in germany) imporovation 28, 1912, russian, der balue rieiter, abstract. stained gass, spiritual. This is almost nonrepistentational, but it was made to represent the mood and not the objects. It is a very spiritual peice, blue is symbolic of heaven.
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Posted: Sun May 28, 2006 5:52 pm
Ernest Ludwig Kirchner, street, dresden, 1909, Germany, die brocke (the bridge). This form of art, an abstract aprouch of romntistiim, shows modern life, the faces of the people are mask like, (african, primitivism), the people have harsh contors, and appear emotionanless or angsty.
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Posted: Sun May 28, 2006 6:04 pm
franz marc, the fate of the animals, 1913, german, the blue rider, cubist, influance of stained glass, animals were pure
vassily, kandinsky, improvisation 28, the blue rider, german, he was born in russia, abstract, mood not objects, 1912
pablo picasso, domiselles, 1097, early cubisim, spanish
ernst ludwig kirchner, street desden, 1908, germany, the bridge
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Posted: Sun May 28, 2006 6:12 pm
jean auguste dominique ingres, grand odalisque, 1814, romantisim, origentalisim, french
john constable, the haywain, 1821, oil, english romantisim
carravagio, conversion of st paul, italian baroque, 1601, cerasi chapel, santa maria del popolo
vassily kandinsky, improvisation 28, the blue rider, 1912, german abstract
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Posted: Sun May 28, 2006 6:14 pm
pablo picasso, les domoiselle, 1907, spanish, cubisim
ernst ludwig kirchner, street dresden, 1908, german, the ridge, abstract romanitsim
jan vermeer, allegory of the art of painting, 1670, dutch baroque
franz marc, the fate of the animals, 1913, before ww1, the blue rider, cubisim
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Posted: Sun May 28, 2006 7:47 pm
jean auguste dominique ingres, french romantisit painter, grand odalisque, 1814, orientalisim
john constable, the haywain, 1821, oil, english romantisim
caravagio, conversion of st paul, 1601, italian baroque, cerasi chapel, santa maria del popolo, tenberism
vassily kandinsky, improvisation 28, blue rider, german, russian bown, 1912, abrstract
pablo picasso, les domiselles, 1907, spanish, early cubism
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Posted: Sun May 28, 2006 7:50 pm
ernst ludwig kirchner, street, desden, teh bridge, german, 1908, aferican mask faces, angst, abstract
jan vermeer, allegory of the art of painting, 1670, dutch baroque
franz marc, fate of the animals, 1913, blue rider, german, cubist
caravagio, calling of st mathew, 1597, tenebrisim, italian barouqe, corntarelli chapel, san luigi del frencesci
francesco goya, thes leep of reason produces monsters from lost caprichos, etching and aquatint, romantisim, 1798, spanish
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Posted: Sun May 28, 2006 7:52 pm
peter paul rubens, elevation of the cross, antwerp cathedral, 1610, flemish baroque
thomas jefferson, monticello, 1770, neoclasisim
edouard manet, luncheon on the grass, 1863, early impressionalisim
joseph m.w. turner, the slave ship, 1840, english romantisim
rembrant, christ with the sick around him, reciving the children, etching, 1649, dutch baroque
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Posted: Sun May 28, 2006 7:54 pm
gustave courbert, burial at ornans, 1849, french realisim
bernini, the ecstasy of st teresa, cornaro chapel, santa maria della vittoria, 1645, cardinal federico cornaro, marbel
jacques-louis-david, oath of the horatii, 1784, french neoclassisim
peter paul rubens, arrival of marie de medichi at marseilles, 1622, flemish baroque
william hogarth, breakfast scene, english naturalisim, 1745
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Posted: Sun May 28, 2006 7:56 pm
pietro da cortona, triumpth of the barberini, 1633, italian baroque
nicolas poussin, burial of phocion, 1648, french baroque
andrea pozzo, teh glorification of st ignatious, 1691, italian baroque
bernini, baldancchio, st peters, 1627, italian baroque
jean-honore fragnard, the swing, 1766, french roccoco
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Posted: Sun May 28, 2006 8:00 pm
velazquez, las mininas, spanish baroque, 1656
francisco goya, the third of may 1808, 1814, romantisim, spanish
inres, jean auguste dominique, grand odalisque, 1814... french romantisim, orientalisim
goya, the sleep of reason produces monsters, 1798
eugene delacroix, liberty leadin the people, 1830, romantic, french
theodore gericault, raft of the medusa, 1818, french romantisim
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Posted: Sun May 28, 2006 8:02 pm
bernini, david, marbel, 1623, st peters, italian baroque
antoine watteau, return from cythera, 1717, french roccoco, fete grante, outside enteratinment and amusement for the upper class
honore daumier, third clas carriage, 1862, realisim, modern life, french
rembrant, shooting company of paitn frans banning, 1642, to decorate hall, dutch baroque
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