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Posted: Tue Dec 19, 2006 2:24 pm
NitrusOxide Tim burton Fan Forever! To me, some of Edward symbolizes how fast society will change their minds about things. Like Joyce, for example, she likes Edward in the first half, then changes to thinking he's a madman just a few days later! But y'know, she's a ho. xd
She liked Edward sort of as a fad. She was all into him and then a few days later scissors are 'out'.
Speaking of how fast people change their opinions, remember that crazy uber-religous lady and how everyone thought she was insane? But then all of a sudden they were on her side.Aw I forgot all about her! Haha, there's a weirdo lady in my neighborhood who's just like her. She called the cops on me & my friends once...
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Posted: Tue Dec 19, 2006 2:31 pm
Throughout the entire film, Edward never once takes his clothes off (if you can call it clothes...more like S&M equipment...but that's not the point). I think it's symbolic of how no one knows anything about him (for example, if someone is "naked" they are open about themselves, people know everything about them). Also, another quite obvious one, is how he puts on normal clothes but looks absurd...As if they are all trying to confine him to something that they are familiar with, but fail. Also, near the end of the movie, he rips off the normal clothes, as if he is revealing himself before retreating back into hiding again.
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Queen_of_the_Seven_Angels
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Posted: Wed Dec 20, 2006 10:36 pm
One thing you have to notice in any of Tim Burtons films is that he uses the idea of a person who is ordinary and have them go somewhere unordinary i.e Sleepy Hollow, Charlie and the Chocolate Factory. Yet he also takes unordinary people and put them into ordinary settings and watch to see how society accepts the unordingary. i.e. Edward. Also something to notice in Tims films is that depending on the story he bases the real world on the amin characters peception. In Edward Scissorhands, his home is dark and old and bleak, yet when he is introduced into a different world, it is beautiful and happy. Another example can be seen in Nightmare and Charlie. The symbolisim in Tim Burtons movies is not only in the story line but also in the set and in the costumes. If you notice in costuming, when it's all happy and cheerful, the characters are dressed in bright colors, yet when someones going to die or be hurt or kill, they are usually in red, black, or another dark color. If you watch his movies and study each scene carefully, there are a lot of symobols in the sets, makeup, and costuming, not just the dialouge and story line.
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Posted: Sun Jan 07, 2007 1:00 am
Queen_of_the_Seven_Angels One thing you have to notice in any of Tim Burtons films is that he uses the idea of a person who is ordinary and have them go somewhere unordinary i.e Sleepy Hollow, Charlie and the Chocolate Factory. Yet he also takes unordinary people and put them into ordinary settings and watch to see how society accepts the unordingary. i.e. Edward. Also something to notice in Tims films is that depending on the story he bases the real world on the amin characters peception. In Edward Scissorhands, his home is dark and old and bleak, yet when he is introduced into a different world, it is beautiful and happy. Another example can be seen in Nightmare and Charlie. The symbolisim in Tim Burtons movies is not only in the story line but also in the set and in the costumes. If you notice in costuming, when it's all happy and cheerful, the characters are dressed in bright colors, yet when someones going to die or be hurt or kill, they are usually in red, black, or another dark color. If you watch his movies and study each scene carefully, there are a lot of symobols in the sets, makeup, and costuming, not just the dialouge and story line. yes you can see that and i think its amazing how he manages it...he puts his whole heart into a film whether he believes it will be a success or not and i admire that.
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[Captain_Arabelle_Smythe]
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[Captain_Arabelle_Smythe]
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Posted: Mon Jan 08, 2007 12:40 am
i also like the symbolism when peg is driving up to the mansion and it looks dark and creepy then she walks into the garden and it's bright and beautiful...it just shows you can't judge a book by its cover, it kind of symbolises Edward who may look scary or weird (i dont think so but)and inside hes beautiful.
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Posted: Thu Jan 11, 2007 5:10 pm
[Captain_Arabelle_Smythe] i also like the symbolism when peg is driving up to the mansion and it looks dark and creepy then she walks into the garden and it's bright and beautiful...it just shows you can't judge a book by its cover, it kind of symbolises Edward who may look scary or weird (i dont think so but)and inside hes beautiful. But of course. :]
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Posted: Fri May 04, 2007 10:56 pm
I think the ice sculptures show that beauty fades in the fact that ice melts and that the ice is cold to him like he seems cold to other people. (except his kind-of-adopted family) Also, things like that hand the hair and hedges show that there are some things that he doesn't hurt if he touches them and it creates something beautiful. (until he destroys the hedges.)
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Posted: Sun Feb 03, 2008 7:53 pm
[Captain_Arabelle_Smythe] Queen_of_the_Seven_Angels One thing you have to notice in any of Tim Burtons films is that he uses the idea of a person who is ordinary and have them go somewhere unordinary i.e Sleepy Hollow, Charlie and the Chocolate Factory. Yet he also takes unordinary people and put them into ordinary settings and watch to see how society accepts the unordingary. i.e. Edward. Also something to notice in Tims films is that depending on the story he bases the real world on the amin characters peception. In Edward Scissorhands, his home is dark and old and bleak, yet when he is introduced into a different world, it is beautiful and happy. Another example can be seen in Nightmare and Charlie. The symbolisim in Tim Burtons movies is not only in the story line but also in the set and in the costumes. If you notice in costuming, when it's all happy and cheerful, the characters are dressed in bright colors, yet when someones going to die or be hurt or kill, they are usually in red, black, or another dark color. If you watch his movies and study each scene carefully, there are a lot of symobols in the sets, makeup, and costuming, not just the dialouge and story line. yes you can see that and i think its amazing how he manages it...he puts his whole heart into a film whether he believes it will be a success or not and i admire that. Yeah but all that stuff that you guys are saying, it's just his mark as an auteur. Burton is not just a director, he is an auteur, and those are just the characteristics that are the trademark of his style, evident in all his films. The Christmas/winter setting, the use of split worlds, sympathetic POV towards outsider characters, curls, dinner table scenes, the influence of German Expressionism (just compare Edward to Cesare from The Cabinet or Dr Caligari, as well as the themes and visual style), as well as his use of mise-en-scene to create a real-life cartoon-world. Auteur, look it up people wink
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