MTHR! FCKR
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- Posted: Wed, 15 Dec 2004 13:46:14 +0000
Quote:
Main Entry: Britpop
Function: noun
Definition: a kind of popular music of the mid 1990s, influenced by 1960s British groups such as the Beatles, as an alternative to U.S. grunge music
Function: noun
Definition: a kind of popular music of the mid 1990s, influenced by 1960s British groups such as the Beatles, as an alternative to U.S. grunge music
Quote:
Britpop is the common term used for a variety of popular British bands from the mid to late 90s. Britpop followed the "indie" scene of the eighties, characterised by bands such as The Smiths, and its successors: "baggy", typified by Manchester's (or should that be Madchester's) The Stone Roses, The Happy Mondays and "shoegazing" bands such as Ride.
The Britpop groups were influenced by music from the 1960s and 70s, particularly the mod style of groups like The Small Faces, The Kinks and The Jam, and the pre-Britpop New Wave Of New Wave scene, typified by These Animal Men and S*M*A*S*H shows these influences particularly strongly. It should also be noted the The Stone Roses and their referencing of 70s rock music was an influence on the Britpop sound, which in the case of bands like Kula Shaker moved towards psychedelia.
Overall, Britpop tended to emphasise the use of guitars as a reaction to the electronic crossover style of the indie-dance scene that preceded it, though some synth bands, such as Stereolab and Saint Etienne (both of whom had existed long before the emergence of Britpop itself), did find themselves hailed as part of the Britpop scene. Indeed, Saint Etienne's Foxbase Alpha (1990) was even hailed - in retrospect - as the first real Britpop LP. Although its synth-and-sample-based arrangements bore little resemblance to anything else that came out of the scene, bands like Blur, Pulp and Elastica also incorporated synthesisers into their sound.
So while the sounds of and influences on Britpop bands were diverse, perhaps the defining feature was a celebration of 'British-ness', as a reaction to both US grunge bands who were dominating the alternative music scene and manufactured pop in the charts.
Unlike their predecessors, Britpop crossed firmly into the mainstream, exemplified by chart battles between rivals Blur and Oasis. Their songs tend to be either pure pop music (Blur's "Girls and Boys" wink or anthemic (Oasis' "Don't Look Back In Anger" wink , with a strong "sing-along" factor. Alongside this, the dry wit of Pulp's "Common People" made an unlikely star of singer Jarvis Cocker.
While male-dominated bands such as Supergrass, Menswear and Heavy Stereo took much of the glory, female-fronted groups like Echobelly, Sleeper and Salad also enjoyed substantial album sales.
By the year 2000, the initial wave had subsided: Oasis had all but collapsed under the weight of expectation, cocaine and self-indulgence, Blur had rejected pop for a more introspective sound, and Radiohead had decided they were a progressive rock band.
The Britpop groups were influenced by music from the 1960s and 70s, particularly the mod style of groups like The Small Faces, The Kinks and The Jam, and the pre-Britpop New Wave Of New Wave scene, typified by These Animal Men and S*M*A*S*H shows these influences particularly strongly. It should also be noted the The Stone Roses and their referencing of 70s rock music was an influence on the Britpop sound, which in the case of bands like Kula Shaker moved towards psychedelia.
Overall, Britpop tended to emphasise the use of guitars as a reaction to the electronic crossover style of the indie-dance scene that preceded it, though some synth bands, such as Stereolab and Saint Etienne (both of whom had existed long before the emergence of Britpop itself), did find themselves hailed as part of the Britpop scene. Indeed, Saint Etienne's Foxbase Alpha (1990) was even hailed - in retrospect - as the first real Britpop LP. Although its synth-and-sample-based arrangements bore little resemblance to anything else that came out of the scene, bands like Blur, Pulp and Elastica also incorporated synthesisers into their sound.
So while the sounds of and influences on Britpop bands were diverse, perhaps the defining feature was a celebration of 'British-ness', as a reaction to both US grunge bands who were dominating the alternative music scene and manufactured pop in the charts.
Unlike their predecessors, Britpop crossed firmly into the mainstream, exemplified by chart battles between rivals Blur and Oasis. Their songs tend to be either pure pop music (Blur's "Girls and Boys" wink or anthemic (Oasis' "Don't Look Back In Anger" wink , with a strong "sing-along" factor. Alongside this, the dry wit of Pulp's "Common People" made an unlikely star of singer Jarvis Cocker.
While male-dominated bands such as Supergrass, Menswear and Heavy Stereo took much of the glory, female-fronted groups like Echobelly, Sleeper and Salad also enjoyed substantial album sales.
By the year 2000, the initial wave had subsided: Oasis had all but collapsed under the weight of expectation, cocaine and self-indulgence, Blur had rejected pop for a more introspective sound, and Radiohead had decided they were a progressive rock band.
