So-naa
LOL actually I thought the opposite. The first was stiff and the second more relaxed. But I'm talking more about the actual lines of the arms and body rather than how creative the poses are ^^ Anyways don't be so down on yourself,
let it flow!!! heart
ps. you don't need the anatomy classes, just a friend who might help or some pictures or something. I've gone to the library and gotten magazines to help out just for a hint on anatomy. I've also looked in the mirror. It's just to get a general idea, you don't need to copy the person from finger tip to toe. Just think very very general, so it still stays true to your vision. Keep up the good work ^^ have confidence in your work!
In sense of pose, Fig 2 was planned, so the characters interact better. The second (background) figure in Fig 1 was added as an afterthought. The foreground figure (Fig 1) breathes while both figures in Fig 2 are just there to me.
I'm hoping to overcome both of those problems in Fig 3. It was planned, so the pose interacts, but at the same time, there are issues with the pose. Like the chic's arm and hand. I want her to be touching him as well, but it's just now working out. I see a good composition as a problem solving exercise, and I like problem solving.
I'm confident that my art skill have improved in the past year. I'd just like to get better.
I'm looking into getting a full body mirror. That may help with poses and such.