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THE GAIAN PRESS - Issue 20.0 - September '06
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We find the best so you don't have to.

IN THIS ISSUE:
1. The Neighborhood Watch - Gaian news for our attention deficit generation.
2. Honorable Mentions - Writing submitted by the best.
3. Point! What's Your Point? - Anti-social, anti-state, anti-you.
4. Best of Issue - As voted by the members of the Press.
5. La Revue - Advice on things to do or not to do.
6. Critic's Corner - A critique by Scary on Issue 18.0's Best of Issue, School.
7. The Afterthought - Preview for the next issue and then some.

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PART I. Next Door Neighbors

User Image Working to improve Gaia's writing environment, The Gaian Press and Deus ex Machina are teaming. Deus ex Machina is a private (yet active) guild of about 170 members with a hardworking moderation team that dedicates its time to attracting and entertaining fellow guild members. Their forums include casual and in-depth discussions, writing resources, roleplaying, and poetry. Just click the banner to visit them!

Gaia's Beta Guild Like peanut butter and jelly, Marge and Homer, The Gaian Press and Gaia's Beta Guild have come together at last. See their guild here! It's a small, public little corner of Gaia with about 70 members and a simple, straightforward layout. Beta Lists are posted for those who want a beta or wish to be a beta, and discussions on editing tactics can be found in the Library subforum. So look no further, fellow writers; A good editor is just a click away!

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PART II. Latest Gossip

~Haven’t gotten any rare events recently? Use this to see if you’ve just missed ‘em. (Click on the link, then open your inventory. And yes, this is completely legit.)
~O RLY? YA RLY. SRSLY? SRSLY. NO WAI! Erm, sorry ‘bout that. Just got carried away thinking about the new donation items. ORLY hat, anyone?
~And, for something a bit closer to home, did anyone notice that the forum-title has been changed? From Writer"s Forum, to Writers Forum?

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PART III. Bulletin Board

Readers! If you have a writing-related site/guild/thread that you would like to advertise (or affiliate!) please PM Serieve or post in one of our public threads. Be warned though, we investigate first to see if it's suitable to be advertised and offer rejections if we find that they are not. No fee will be included, but donations are very much appreciated. In fact, all donators will be listed and thanked publicly in the Afterword.

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PART I. Poetry
Listed in alphabetical order by title.

First Word, by Scary_Fairy
Pretty Chassis, by vernereal d111sease
Stallion of the Mores, by Stephanie Sargent
Trading Lives, by Aderyn

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First Word
By Scary Write-bot 1500

"b***h."

No one heard it, sitting
in my cardboard box
with glitter pens;
Power Ranger dolls.
The television blared
with power ballads and
sitcoms.

I wanted to watch football.

"b***h b***h."
She said, he said,
I screamed. Mommy
wouldn't let me out
of the box. She said she
was going to ship me
to the place called
Sesame Street.

"b***h no."


Pretty Chassis
By vernereal d111sease

Jaws of life: she forced open
oil-slick's and tire-squeal's
consequential red of the heart
smacked under her nose.
"Words are terrible"
blew venom-bright spit
into my eyes.

The tiny dyed bottles
scented her pockets to draw bugs
from windshield wiper ends
as she molded the porch
to her shape.
Every afternoon shade
came from mosquito smears
smoothed into a hand.

She'd crashed across syllables
since she mastered herself
over them. The routine had gone
from speech to beautification,
even if the speeches kept her pockets
heavier with paper than with smell,
and in later days the bugs
will stop coming.


Trading Lives
By Aderyn

The babe was born
in a rush of pooling
blood that just kept coming.

I watched as nurses
scurried around, frantic
like useless field mice.
I watched as the doctor
bowed his head to
hide the shaken terror
painted on his face.
I watched and stared
at the sweat-soaked cotton
shift, whose fabric
clung and outlined thin hips.

"Rest well, my dear."
Morbid words, but
I spoke them, ignoring
the doctor's poorly stifled gasp.
I'd never loved her.
This baby was made by
duty and compassion,
not passionate love.

She looks up, says
skyward to the heavens,
"If it's a boy,
name him Milan.
A girl will be Melantha."
I nod curtly.
"Her name is Melantha."
The baby begins to
squall like a seagull,
a shrill, never-ending cry.

My wife lies dead,
eyes closed, a pale
reflection of former glory.
I turn away.


Stallion of the Mores
By Stephanie Sargent

Ripples startle the gentle mire.
A shadow glides beneath the murk,
Rancid bubbles burst forth.
All is quiet, like a catacomb sealed in stone
All is desolate, like the wind creeping through a cemetery field.
The stallion of the mores turns in restless slumber,
Click, click, click;
The shifting of bone against bare bone.
Splash, gurgle, swoosh;
Fish scatter from his terrible wake.
A thick grey mane is twisting;
His eyes gleam hungry red;
Pale, bloodless flesh skates just below the surface.
Black hooves gallop along the mucky bottom.
At last the stallion emerges,
Skin hangs from his atrophied head;
Lips are thin and teeth the color of bile.
He shakes himself, flinging water from his accursed pelt.
The misty bog wraps about his decomposing form.
Distorted beneath dappled moon light the stallion emerges once more,
A gallant horse with strong legs and pure white coat gallops out of the fog,
Into the night.


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PART II. Prose
Listed in alphbetical order by title.

Massacred Memories, by Aderyn
The World of Green- Chappie Numero One, by Elion

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Massacred Memories
By Aderyn

My name is Kieran Quoniera, but not for much longer. Today is my wedding day, the day I shall be joined in formal union to a young woman who loves me and will always fill my life with joy.

I do not love her in return.

Mari is wonderful, a shining beacon across dark water, but love is a powerful word. She professes it for me, has said it many times, and her word is law. I will marry her to give her happiness, just as she has given me happiness; I will make love to her, produce an heir to preserve her bloodline; I will do my duty as her wedded consort, always.

Then I will find some pretext to return to Attica, my homeland. Even if I must take another identity, pretend to be what I am not, I will return to Halavin's court and take revenge for my love - or die in the trying.

Love. Maybe I am still trapped in the past, even after everything fate has given in recompense. By the Almighty, thirteen is certainly too young to love. Isn't it?

***

We began the trip at dawn, just as the sun crept over the horizon. I wasn't at all happy about having to rise an hour before the sun, and on my birthday, no less! But the sight of the sunrise cheered me up immediately. True beauty, like a glowing rainbow set aflame by the gods! I was speechless, with no sarcastic comment for once.

I look back upon that memory with amusement, nowadays. How ignorant I was then, awed by a mere sunrise! True, I still admire the sun, but certainly not in the same way. At dawn that day, I was still innocent, a boy. By the same time the next day, I was a man, mature and hardened. The death of a loved one changes you that way.

In any case, I was broken out of reverie by a light tap on my shoulder. I jumped and whirled around frantically before relaxing in relief. It was only Gabe, my cousin and best friend. "Don't sneak up on people like that, Gabe! You almost made me hit my head on the sky!"

Gabe laughed. "It's your own fault for being entranced by the sunrise, Kier. Next thing you know, you're going to start writing poetry!"

My cheeks burned and I made a face, shaking my head violently. "No way, poetry is for girls!"

Cocking his head, Gabe opened his mouth to voice a retort - probably another cutting remark, as his tongue was even more trouble than mine. But I was saved from another unmanly blush by the shrill voice of Hannah, the housekeeper. "Kieran! Gabriel! If you two aren't on your horses in ten seconds, we're leaving without you!"

Hurriedly, Gabe and I raced toward Hannah, who was holding the reins of two horses. As we came within sight, Hannah scowled and scolded,
'Where were you two? We're already running behind schedule as it is. Especially you, Kieran. You're thirteen years old now, you should know better."

I scrunched up my face, but I didn't dare backtalk to Hannah. For all that she was a commoner and a servant, she had the authority to get me into big trouble with my mother, Lady Nieta. Father was the strict one, but Mother's disappointed looks hurt me much more than any of Father's never-ending lectures.

Hanging my head meekly, I walked past Hannah and mounted my horse, a bronze gelding called Copper. Gabe swung onto his own horse, a gray mare named Fog for her innate ability to blend in and navigate in a heavy fog. We both urged our mounts into a trot; I rode ahead in front and Gabe brought up the rear. My parents rode in the carriage at the middle of the procession, the safest position.

Before, I had always traveled in the carriage, as befitted my rank as heir to Father's estate. I had only been permitted to ride Copper today as a special privilege for my birthday, and even that small allowance had only been after days of begging. Sometimes I truly envied Gabe, the youngest of three sons. He possessed so much more freedom than I, and yet I knew he envied me as well, for my inheritance and future wealth. We were best friends, but we each longed for the grass on the other side of the (impenetrable) fence.

As I rode in silence - apart from the steady clip-clop of horseshoes - my mind wandered to my parents. Before his marriage, Roald Keon Quoniera was relatively penniless for a noble; however, Nieta Jinul's generous dowry combined with numerous expensive gifts from King Halavin (Nieta's first cousin) built up his coffers considerably. In fact, if Mother hadn't been born female, she would have been next in line for the throne, as her father had passed away long ago and King Halavin had no close male relatives.

Under normal circumstances, my mother and father would never have been allowed to wed. She was an archduchess of noble blood, and he a lower lord. Nieta had already been betrothed to an Ijan prince, but when the prince died unexpectedly in an earthquake, King Halavin took pity on her and gave her free choice of her next husband.

So under extremely improbable conditions, my parents married and had me. I suppose that makes me an extremely improbable child. I should be grateful to be alive, I guess, but frankly, I'm not.

By the time I had finished pondering my family's convoluted history, we were at the gate of Duke Xilan's enormous manor. Gabe and I dismounted quickly, racing through the gate and up the winding stone path. I had a head start, of course, but Gabe was a much faster runner. We reached the front porch of the manor at the exact same time, like we always did. As I folded my legs and collapsed tiredly on the ground, the manor door was opened by none other than (the very pretty) Yvenne Quoniera.

Yvenne was the daughter and only heir of Duke Xilan; however, as she was female, she would inherit only her father's estate and not his title. It was a conflicted subject, for that title would pass to my own father. And though I had loved Yvenne for two years, I was loath to tell her my feelings. We were far enough apart to prevent a genetic catastrophe, but my father's inheritance was a troubling obstacle.

"Welcome to thy home, my cousins." Yvenne's greeting was painfully formal, spoken in an emotionless monotone while sinking into a deep curtsy. As Gabe and I jumped up and brushed ourselves off, I wondered briefly what had changed her so. Only a year ago, Yvenne had greeted us with a smile and a hug.

Remembering belatedly that I had yet to give the ritual reply, I quickly intoned, "I am honored to visit thy home, dear cousin Yvenne."

Always striving to outdo me, Gabe smiled wickedly and said, "It is always an honor to visit your beautiful home, dear Yvenne." It was a clever twist of words on the original, enough to elicit raised eyebrows but no reprimand.

I was immediately jealous, because I could see Yvenne biting back a smile. But Yvenne said nothing, another sign that she had changed. A year ago, she would have laughed outright and shaken her head at Gabe's foolishness; today, she was afraid to even smile. But what - or who - did she fear?

As Gabe and I stepped inside and removed our overcoats, Yvenne led us down familiar marble-laid hallways to the location of each year's birthday banquet, the Great Hall. We both knew the way, of course - after thirteen consecutive years, it was hard not to remember the way - but apparently acting the hostess was one of Yvenne's new duties.

The Great Hall was overflowing with people, attesting to the size and power of House Quoniera. Following Yvenne's silent instructions, Gabe and I parted ways to our respective seats. I sat at the High Table with Duke Xilan and my parents, and to my great luck, Yvenne as well. As a third son, poor Gabe was relegated to a lower table. I could barely glimpse his head from my seat, so far away he was. As always, Gabe's significantly lower rank brought on a wave of guilt.

The feast lasted for several hours, well into the night. By the time Duke Xilan announced the opening of the ballroom, it was almost midnight and pitch-black outside, a blanket of stars shining bright overhead. I pushed back my chair and stretched contently; I was about to follow the crowd into the ballroom when Yvenne suddenly appeared by my side.

Yvenne's lovely face was marred with an expression of pure terror, and I was instantly concerned. She began to speak, a torrent of frantic words bursting from her mouth. "Kieran, you have to leave, now! You must leave before - before it happens!" She shuddered. "Go! You must be off these grounds by morning, or House Quoniera will truly fade away in disgrace. Please, go!"

Impulsively, I grabbed Yvenne's hand. "Come with me, then. I-I love you! I don't know what happened this past year, but it doesn't matter. If there really is a danger, come and leave with me."

Yvenne shook her head. "Oh Kier, I love you too, I really do. But you must go! There's not much time left, and I am already claimed." She closed her eyes briefly, as if gathering strength. "Father sent me to the convent. He didn't have a choice - they blackmailed him. But then they wanted me, said if I went to live with them and eventually married the- the king, they would leave Father alone. I agreed, but Father refused to let me go. He said he would see House Quoniera's ruin before my marriage to the enemy, and now he will!"

She reluctantly pulled her hand away. "I'm going to plead with them, beg them to let Father live. You must leave now, Kier, before it's too late! It's already too late for me, but you still might have a chance at happiness." With that, Yvenne fled into the unsuspecting crowd.

"Wait! What about Gabe, and my parents?" I called out too late. Yvenne was gone. I almost refused to leave her behind, but I remembered her last words to me. If Yvenne wanted me to run, then run I would. But happiness with another girl, I vowed would never happen. It did eventually come true, of course, though not for many years. I was only thirteen when I made that vow, and too naive to know better.

I wove through the throng of relatives, distant and close, toward a side exit. Just as I slipped through the door, I saw Gabe, running out of the ballroom at a breakneck pace. Yvenne had warned him as well, then. But it was already too late. As the grandfather clock began its midnight chime, deadly black arrows flew out of nowhere. I quickly looked away, but not before I glimpsed an arrow sprouting from Gabe's chest and the resulting sea of blood.

I have no idea how I escaped that night. Everywhere I passed, black arrows rained down but never hit me. I didn't see Yvenne or her father, or my parents, but I saw Copper and Fog ruthlessly shot down along with the other horses in the stables. I had been aiming to find a horse, for escape would be far faster mounted than on foot, but it was again too late.

Yvenne's warning to be off Quoniera lands by sunrise was fresh in my mind as I headed into the fields. Even pushing myself, however, I barely managed to reach the border when the first streaks of pink appeared in the sky. As soon as I crossed into safe territory, I fell asleep against a tree. Exhaustion had finally taken over; my low stamina would prove to be my downfall.

When I awoke, I was no longer leaning against a tree. Instead, I was slumped against the side of a barred wagon, shackled hand and foot. Several other children around the same age were also in the wagon, all staring intently at me. I looked down at my muddy tunic and pants in dismay, realizing that I had been mistaken for a peasant.

I had been captured into slavery. When the slavers came around to serve the daily meal of stale bread and water, I managed to discover that the wagon was headed to a market just across the border in Sierra. I found that fact ironic; had I tried to enter Sierra by myself, I would certainly been turned back for my lack of a passport. But now this wagon was carrying me to safety, albeit as a slave - for in Sierra, those responsible for the massacre of House Quoniera could never find me.

I've never allowed myself to dwell on the memories of the massacre. By keeping the subject in the back of my mind, I could keep away the overwhelming grief. It was necessary in the world of slavery, for slaves have no time to grieve, or indeed to feel any true emotions. Yet as a result of my self-denial, I have never accepted the death of House Quoniera; of all those who died, Gabe and Yvenne always threatened to invade my consciousness and send me spiraling into painful, unwanted memories.

I lived this way, day after day, until the day my owner died and I was back on the auction block. That day, a girl only a little older than me became my new mistress - and eventually, helped me to find happiness again, just as Yvenne had predicted all those years ago.

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The World of Green- Chappie Numero One
By Elion

It was green. Everything was green.

The houses were green.

The wrenches were green.

The little bucket shaped cars were green.

The water was green.

Even the people were green.

The only thing that wasn't green was, sometimes, the grass. It was the only color one ever saw besides green. Why wasn't the grass green?

It simply just wasn't fashionable to have green grass. If one was fashionable they had yellow-green grass. And in a world where everything was the same shade of green- that yellow made all the difference.

It was a simplistic world, containing one street called Green Street. Actually, it would normally be said that there were nine streets in the World of Green. However those are the rules of our world, and not of theirs.

And anyone who begged to argue that Green Street was more than one simple street was thrown to the end of the World of Green.

They were thrown to the Red Sign.

The Red Sign was the only thing besides the grass that was not green. However, the sign was not spoken about, was not thought about, and as far as the citizens cared the Red Sign was not even in their world.

Or most of the citizens at any rate. But, no matter what world, there is always at least two oddballs- often three. One -or more depending on the amount of oddballs- will always be the one advocating the abnormal belief. The other -or sometimes two others- will stay silent about their beliefs.

In the World of Green there was currently -the other citizen had been thrown to the sign four years ago- only one citizen thinking about the Red Sign and only one citizen who was also sincerely curious if anything happened beyond the feared sign. After all, where did all the non-believers go when they were thrown to the dreaded sign?

This citizen's name was Robert Richard Michael Litinly Parsons Homer the VIII. Or, simply, Bob. Bob was fifteen years old, the son of the only Gardener in the World of Green and the only Lawyer in the World of Green. He was exactly five feet with an extra eight inches and one half an inch on top of that.

No, he was not 5'8". At least not where it mattered, and that was in his tiny green world. According to those in his tiny green world he was exactly five feet with an extra eight inches and one half inch on top of that.

Bob had what many considered to be perfect hair, at exactly ten inches length and eight strands at the top of his head constantly pointing straight in the air.

He also had perfect style, always wearing trousers made of polyester and shirts made of plastic.

He had amazing eyes; round and bulging with perfect lips that were chapped in all the right places and amazing full on the top lip and beautifully limp on the bottom lip.

Bob was gorgeous.

Girls stared and giggled and blushed as he walked by and men glared and scowled. All the male citizens were jealous of Bob's good looks. How dare he, they thought! How dare he be so perfect in everyway!

Now many are skeptical. One like this could not be beautiful. But I assure you, he was. Remember now, we are not in the culture we are used to. We are in a place very far, yet very close.

Can you guess where we are? It's not particularly important, however rather interesting.

I first thought of Bob in the middle of Church, with random inspiration hitting me like-like-like pancakes.

Random and completely out of nowhere.

Until I found out that it wasn't so random. In truth it was planned out exactly. However else was Bob to send out his story than through a seven-year-old girl with an over-active imagination?

You see, this story- or at least some of it, and most certainly all of it you know right now- takes place very close to home.

As a matter of fact, it takes place not 20 feet from the Jungle Gym at Edgemont Montessori Elementary School, Montclair, New Jersey, 07043.

The World of Green takes place on a pine needle, on a pine tree, very up high in the air.

Or, at least 15 feet in the air.
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User Image - Blocked by "Display Image" Settings. Click to show.Point! What’s Your Point?
#19 The Roundup
Jeff A. Van Booven


You might notice this month's column seems like one big cop out from my normal and usual ranting and raving, even more so than the aphorisms one. Fear not though, I come armed with many excuses. Yes, I am here to present my valid excuses to which you have nothing but to accept because I'm not going to write a different column for this month.

First off, you're reading from the new Liberal Columnist of The Missouri Miner. Second off, I have a new website, where you'll be able to read my columns from the Miner, as well as the archives of this column, and my creative writings. I highly recommend it, and I'm not saying that because it'll help me make money; which is true because I haven't added any advertising on it yet. And if you actually want to see some of my actual columistic writing I suggest you go there.

On top of that, as you might have noted, I've started college and don't exactly have all the time in the world to devote to this column, or really feel like spending a lot of time writing despite the many ideas. Speaking of ideas, or writing about them, I've been up to a lot of idea making. I've even gotten some writing done, as well as some new poetry. Currently my goals are to get that up sometime in the next month as well as firm up some of the major ideas and start getting them into writing.

Just to make this column have a little bit more of a point: apathy is not an option for a peaceful world.

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You Were Hittin' That Road Awful Fast
By Follow My Lied

She just missed the dead boar in the road. She passed it so closely that she should have heard its spine scraping lightly against the rims of her tires, but her screams, mixed with the sliding gravel, dumped such a heft of noise onto that instant that she couldn't have distinguished one sound from another.

The boar now lay next to her on the road, and for all the pounding in her head and chest, she squeezed out a sigh; not of relief, but of release. She was far from relieved. She hadn't seen the body coming until she was almost directly upon it. A second later and she would have plowed straight through it. Who knows what kind of damage that would have done? The boar was definitely big enough to flip her straight forward, the speed she was going.

The realization of what she'd just escaped started to sink in. What if she had been flipped? What if she were pinned between the backwater dirt and her little Jeep for hours, days, or weeks, with a rotting boar as her only companion? The condition of the road certainly suggested neglect and disuse; chances for help would be few and far between. She was beginning to wonder why she'd taken this way. The reason didn't really matter, though; she was here now, still alive, and her destination was only a few miles off.

She sat still behind the wheel for a moment and replayed the scene in her head. Something had caught her eye that instant before she swerved. Was it a glint? Her headlights reflecting on something? She'd reacted so instinctively that she hadn't noticed what had actually triggered her reflex. It must've been the blood. Looking down, she saw the pool at the boar's mouth was still small and very wet. It must've died within the past few minutes. What had killed it? The possibility of another car finding it before she had seemed small; the road stretched out across the flatlands ahead of her so vastly that she would've seen brake lights no matter what their distance, especially on such a clear night. Was it killed by another animal?

A coyote seemed a likely perpetrator. Whatever it was, she could see it hadn't gotten a chance to eat, probably scared off by her lights.
The prospect of an angry and hungry coyote lurking just outside her low beams made her shiver. She threw her car into drive and hit the gas with emphasis. She cast a quick look back into the scene she'd left. She hated boars. They make an awful sound when they're wounded. She imagined what might have happened if she'd hit it while it was alive. The screams. She shuddered and turned back to the road.

She saw its wild eyes widen in a split second. This time she didn't feel herself swerve. She smashed to a hard sudden stop, meeting the steering wheel so violently with her face that her eyes felt strained to stay in her head. In an instant all sound ceased piercing her ears, but not before they caught a hint of the sound she hated so well -the bloodletting shriek of a wounded boar.

She didn't black out. Things just went quiet. Looking up, she saw three or four animals running full speed into the wisps of scrub, leaving piles of droppings in scattered trails behind them. They were obviously afraid. She almost started to laugh, but she quickly noticed the warmth between her own legs. "At least it's not s**t!" she coughed after them.

She tried to sit up, but her stomach lurched her forward and she vomited against the steering wheel. She drew back her hands, which were still clutching it, and tried to inspect her bile for blood. She couldn't be sure in the darkness. She wiped her mouth on her sleeve and tried sitting up again, with a better result. Through the steam of her broken radiator and a single headlight, her eyes traced the shapes of snouts and protruding legs.

She opened the door and awkwardly planted her feet down. The cold air hit her face suddenly, and a terrible pain cut through her left eye. It was so overwhelming that she turned aside and gagged, with little reward for her effort. She covered her eye with her hand and touched the area around it, but it wouldn't open. "Maybe it's for the best," she thought. She clung to the door and made her way to the front of the car.

She'd hit a boar; or rather, several boars. At least three were pinned together under the bumper. One appeared dead, and the others were writhing and screaming silently in a mass of hair and entrails. She felt a pang of sympathy for them, but she was glad she couldn't hear their cries.

"They must've been coming to see their dead friend up the road", a man's voice spoke behind her, "and now his friends are left alone, no trail of s**t to follow home."

She turned quickly in surprise and lost her balance. Falling to the dirt, she glimpsed a man in a tree. "Strange", she thought, "there wasn't a tree for miles..."

"Maybe you're not where you thought you were. That's always been your problem, hasn't it?!" The man giggled like he was drunk and swung down to a lower branch. "Hasn't it, Lucy?"

Lucy didn't remember giving him her name.

"Oh. Oh my dear." The man whispered is a sobering tone. "You didn't give me your name. I gave it to you!" In another fit of laughter, he jumped to a branch across from his and flipped around it with such grace and dexterity that he seemed inhuman.

"Who are you!?" Lucy demanded from the ground. "Didn't you see my accident?" Her eye stabbed hard again, and she could feel herself begin to tear up in pain and confusion.

"Aye, I did see it Lucy. I saw it fine. But I should be asking you who's seein' and not seein'! How come you don't recognize me?" He sounded insulted. Lucy hadn't noticed his brogue until he'd spoken plainly.

"Uncle Sean?"

"Why yes! There's a good girl! Good girl. You know your old uncle Sean right as rain!"

"What are you doing here? I-I was just on my way to see you and Aunt Millie."

"Ah, well my dear, I don't think you'll be seein' half o' what you used to. It's a real shame too. So blue and clear, and you went and got it all dirty."

"Dirty?" She thought he was making awful light of her situation. "You mean my eye? It hurts Uncle Sean! I don't know what's happened to it!" She sat up in the cold and looked clearly for the first time upon her uncle. He was standing stark naked in the cold moon, both hands bloody and blue in the lips.

"You want to know what's happened to it?" the man asked, the giggle rising in his throat again. "Go get it. It's right in the car where you left it, dripping with your sick."

A terrible fear seized Lucy, and she began to gasp in panic.

"My eye? My eye, is it gone? Is it really gone!?" she whimpered between sobs. The man was suddenly face to face with her. He placed his hand gently on her face, touching her cheek.

"Aye, dear. It's really gone," he cooed. "You were hittin' that road awful fast, weren't you? You got quite a pop to the head. You should probably be dead, you know. The boar is." He grinned and touched the air above the collapsed lid, then sank his thumb deeply into the eye socket, sending a jet of blood across his already stained hands.

Lucy cried out in surprise, but soon realized that he wasn't hurting her. She could feel his cold thumb twisting around in the socket, and a numbing sensation spread over her entire face.

"That's me," he said. "I had to get it out"

"What's you?"

"The blood. I don't want you havin' none of it." The aforementioned blood poured steadily from her wound, and she began to feel faint.

"Why are you doing this to me?" she swooned.

"I wanna make sure you're not a bad person, dear. This blood's done some terrible things. I just wanna get it outta you."

Lucy fell back toward the ground. Her head was starting to throb, and things were getting hazy. The man must've pulled his finger out, because Lucy saw him heading back toward the car.

"Funny thing about boars," he said softly, in an almost solemn voice. "Funny indeed. I'd shoot'em in my fields at night when I hear'em rootin' around my Millie's garden. They scream somethin' awful."

Lucy began to shiver. In her spinning daze she began to hear them -boars roaring in agony.

"They scream when I shoot'em in that garden, but they don't run. They just lie down an' accept it. Then I have to clean'em up."

Lucy felt herself drift off. The screams of the boars grew louder and louder.

"She's wet herself." the man said.

She awoke with a jolting spasm in her shoulder and a terrible light in her eyes.

"Ma'am! Can you tell me your name!?"

Lucy squinted hard and felt a searing pain in her left eye.

"I think I've wet myself." she replied to the voice in the light.

"She's got head trauma. Looks like her airbag didn't deploy. Her neck's probably in a tender spot. Don't move her until someone gets here with a brace." He was speaking to someone off to the side.

"Did I hit a pig or something?" she whispered. She felt extremely groggy and numb; the screaming was like needles at the base of her skull.

"Something. Looks like you hit a coyote. It had a little baby boar in its mouth. You broke the baby's legs, I'd guess. Now it's just lying there screaming. I'd kill it to put it out of its misery, but I'm Muslim, and my partner's a vegetarian." A woman laughed nervously beside him. She bent down to peer inside the car.

"You're a lucky girl." she said. "We were already on our way out here when we happened to find you. A few of our units were responding to a domestic dispute just a ways down the road. Neighbors called it in. They heard gunshots."

"She doesn't need to hear all that." the man scolded. "You would've been better off to go ahead and run straight over it in my opinion. If you hadn't swerved, you might have spared this poor tree its life. It seems to be the only one out here." He smirked. "How are you feeling? That's a pretty rough black eye. You must've hit it pretty hard on the wheel there." It was obvious they were only trying to keep her talking and conscious.

Lucy suddenly realized what the woman had just said.

"You said-" Her head pounded and she started to feel sick. "You said there was a problem down the road? My uncle Sean lives down this way."

The man's face grew suddenly grim. "Sean O'Heanny- 213 Brekmeyer Avenue?"

Lucy began to retch as a squad car made its way toward them with its lights off. It stopped next to them. The driver lowered his window.

"Is she okay?" the officer inside inquired.

"Yeah."

"The scene up there's pretty grisly." he said dully. The officer with Lucy tried to cut him off, but the driver finished before he got the message,

"The woman's dead, and the guy's out of his damn skull. He's bare-a** naked in 20 degrees, jumping around in a tree like..." Taking the hint, he cut himself off and looked down in embarrassment.

"Mr. O'Heanny?" Lucy grimaced, leaning out the window and vomiting.

"Yeah." the driver concluded remorsefully. "You know him?"

"He's my uncle. I was on my way to see my aunt. I was hoping he'd be out. We weren't especially close." She wiped her mouth. "My Aunt Millie. She's dead?" She began to cry openly.

"He-he used a shotgun. Said he heard boars in his garden. She was out there covering some plants with a blanket." He paused, but continued despite his better judgment, "But he must've been close enough to recognize her, the way the wounds-" He stopped. The moment hung suspended with his unfinished thought.

A tiny scream punctured the silence.

"Is that a piglet?" the driver asked astonished. "You hit a tree to avoid that?" The officer next to him pointed out the dead coyote. "You should kill the pig. Poor thing's probably out of its mind with pain. I can do it if you-"

"No." Lucy responded. "Give it to me. I think I want to help it."

"Looks like it lost its eye too."

Lucy felt a chill touch her face.

"Which eye?"

The ambulance arrived, and paramedics came with a neck brace.


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Code of the Ninja
Courtesy of The One and Only Jahoclave

5 - ninja ninja ninja ninja ninja - The ninja approves of this; failure to cohere with the ninja's decision is a grave mistake.
4 - ninja ninja ninja ninja - The ninja enjoys this, but he finds flaws.
3 - ninja ninja ninja - The ninja would rather date your sister, but since you may not have one he will take this instead.
2 - ninja ninja - The ninja warns you that he was only marginally impressed.
1 - ninja - If proper confession is made, the ninja will forgive you for taking part in this.
0 - xp - If you are looking for an invigorating experience I would suggest poking your eye out before this; the ninja does not approve.


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Editor's Note: We're currently lacking in submissions for this department, so feel free to type up a little review (using the ninja's code, of course) to be published for the next issue! Books, music, anime, just about anything goes! So hop on that shiny soapbox already, my critical friend, I know you have something to say...

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Movie Review: Pirates of the Caribbean, Dead Man's Chest
Directed By Gore Verbinski
Review By Rushifa

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Now really, who doesn't love a pirate movie?

If you liked the first Pirates of the Caribbean movie, you definitely shouldn't miss the second. Although it has a few problems common to sequels, it's overall a hilarious and well done movie.

Unfortunately, Dead Man's Chest starts out overdramatic and, frankly, boring. In fact, the first 20 minutes of the movie were dull, discouraging, and useless. It was obviously trying to pick up where the first one left off, but it simply didn't work. Although, perhaps that's because I've never been fond of William (Orlando Bloom) or Elizabeth (Keira Knightlyy). However, once they get to the island, it's all up from there. Keep your eyes open for Jack (Johnny Depp)'s awesome face paint, although it's pretty hard to miss.

Beware of old lines. The were wonderful and memorable the first time, but if we wanted to hear them again, we'd have watched them in their original context. Reusing old hit lines is a very common trait of sequels, but in most cases it comes of feeling forced. There are only about 3 instances where an old line is reused in a new and entertaining way. The upside is that all the new, original material lives up to the first movie's standards.

Length-wise, well, be sure to pace yourself with your drink. And look forward to a third movie. We'd heard rumors, but it's pretty much been confirmed by now; there will indeed be at least one more movie. Oh, and make sure to wait until the end of the credits, for a special look into a side character's fate.

4- ninja ninja ninja ninja -characters
4- ninja ninja ninja ninja -storyline
3- ninja ninja ninja -style
3- ninja ninja ninja -substance
4- ninja ninja ninja ninja -overall

Got a bone to pick with the reviewer? Want to suggest a work for review? Dying to hear about a new media or genre? Contact Rushifa with your questions and comments.

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-Critique by Scary Write-bot 1500

Quote:
School
By Lillian Ashe


I'd go with a different title. This just exudes immaturity, from my point of view, anyway. I mean, there are so many different ways to title this poem; I think this one just does it injustice.

Quote:
The room is an oven, the children the bread


Fix that comma to a semicolon or something of the like.

Quote:
sucked of all moisture and slowly,
ever so slowly,
asphyxiated.


I think that the second line here feels too much like fillers in meat. Just, not too nice and doesn't taste that good on your tongue. So, I'd just go ahead and omit that second line and those commas.

Quote:
The room is a star field, with the few shining bright
and some a slight glimmer--
aptitude but no ambition.


That last sentence feels too tell-ish. The other part is passable, but the 'few shining bright' and 'slight glimmer' just sounds too much like its already been used. I'm pretty sure you can do better.

Quote:
Others, moons reflecting the sun;
more lost to the black hole of ignorance.


See, this is what I mean. I'm not sure about the 'black hole of ignorance', though. It feels pretty straightforward for a metaphor.

Quote:
The teaching is like a pillow,
under which creativity respires and expires;


Is 'the' really needed? You could omit it, really. I like the idea of creativity breathing and dying, and the way you presented it. Nice job there.

Quote:
and the children, bless their (lack of) souls,
use as the well-worn path to Dreamland.


Since you just used a semicolon, the 'and' isn't needed. I don't like the idea of the 'bless their souls', but I like the idea of the lack thereof.

Quote:
The desks sigh, and the seats groan
as the pen(cil)s hurry to copy the answers
off their next-seat neighbors.


I'm not sure if the wording of the first line is doing justice, really. It's a nice idea, but the way it's presented just doesn't work out too well. Also, the copying part feels a bit straightforward, like you just stuck it out there because we couldn't understand it otherwise.

Quote:
Whoosh; the balled up paper
(an “imaginated” airplane)
swoops and soars like a stunt flyer
only to miss the trash-goal.


I love the playfulness of this stanza.

Quote:
The groans of disgust from the commentating boys
are masked by the chitter-chatter of the twitter-bird children


I enjoy the internal rhyme in the second line. I think you could change 'commentating boys' into something like those people who report the golf games and such.

Quote:
(a-twittering and -tweetering about the latest and greatest),
the soprano counterpart to the tuneless mumble-grumble
uttered in voices like golems’.


Change that first comma to something like a semicolon or dash or such. This is a nice little stanza, though 'mumble-grumble' does feel a bit elementary, compared to what I've read from this poem so far.

Quote:
Whinging about the latest assignment leads to
faux-goth notes carved into faux-wood desks


I'm not sure if this first line break is such a good idea, but the faux-goth/faux-wood repetition is just splendid.

Quote:
as the children, like so many carrion crows, circle overhead
just waiting,
for the raptors to attack
(poor twitter-birds, to meet such a brutal end).


The second line feels very filler-like, which isn't too good. This metaphor is very nicely done, though.

Quote:
At the teacher’s glare, like a Gorgon’s saturnine stare,
the room, a not so gentle cacophony,--
as harsh as the most cynical of magazine critics
and pounding like a jackhammer in the middle of Manhattan
--quiets.


Couldn't you delete the fourth comma? I mean, there's a dash right beside it. Also, the last line break isn't that appealing, in my opinion.

Quote:
The teacher speaks, her voice a monotonous droning
as much as an old cigarette-smoking man with a cold
and a somewhat nasalized vernacular,


Total love for this. It's a great simile set-up that almost no poetry I see nowadays uses.

Quote:
as she draws diagram upon diagram on the
ever-so-prettily decorated chalkboard.


And, this just falls flat. It's boring compared to how nicely you just showed us that teacher and how she speaks. The slight repetition of 'diagram' isn't all that nice, even though it sounds alright. 'Ever-so-prettily' is a downslide, as well.

Quote:
Fingers drop the chalk
(the epitome of education),
which falls and catches itself on the rim
at the bottom of the board;


No real qualms here. It's not bad, but it's not exactly good, either. Can't put my finger on what makes it so okay, but not great.

Quote:
it leaves a trail of fine white powder,
coke on the mirror,


Pure love here. Though, I'm not sure if 'coke' is such a good word to use here. It'd be pretty cool if you'd use a somewhat scientific word for it, but have context clues so we don't totally have no idea what you're saying.

Quote:
to be killed, wiped into oblivion,
with those self-same fingers
(‘Quick, before Mother sees!’).


No qualms here, either.

Quote:
Like a latex glove stretched thin over jaundiced skin,
the chalk-colored hand will show no fortune-lines
until it is dusted,


Oh, that last line falls a bit flat. Other lines are very nicely done, again, though.

Quote:
and chalk debris floats down as snow
to the scuffed linoleum floor.

The students will mirror Teacher-dearest,


I do completely hate 'Teacher-dearest'. I don't really know why, but it just irks me so bad.

Quote:
dusting their own hands so that dead skin
and graphite
fall onto the desks like an offering, rejected, from above.


I'm not a fan of that second line. It's probably just subject to some bad line breaks, but it doesn't hold much of anything, really.

Quote:

They are automatons,
like robots,
copying from the board
straight onto the virginal sheets,
previously unblemished as a sacrificial lamb.


This seems to remind me of a Catholic school very much.

Quote:
The ink bleeds on the paper,
a scritch-scratch punctuating every wound,


Oh, I don't like this much at all. I know there is a better way to make this personification a good one, and you could play with this to no end to make us readers think.

Quote:
in black and blue
(shades of a bruise)
and the many garish CareBear-colors.


There's no need for those parentheses. That one's a given, compared to the wound personification. I like the Care-Bear color vibe, however.

Quote:
Far worse than all the colors--
my eyes, they burn with afterimages;
give me the sun and a telescope any day
--are the papers and poems
(surely, being made to read this
constitutes child abuse.)


YES. I know how this feels, and those last two lines just made me so relieved that this would be brought up. This is quite possibly my favorite stanza.

Quote:

Each word, pronunciation distorted
beyond any recognition,
causes nerves to shudder as they carry
their message to the slowly dying
brain.


The second line is a bit bland. It's like a fill-in. This is a nice ending from my thoughts.

Overall: Wow. This is a very good piece, but there are a few places that need a deal of work. But, it's a lot better than most of what flows through here, and you know you agree.

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(Vice) Editor's Note: If you didn't notice, it's me posting this issue and not Serieve. Reality has come calling again, and all of us staff have been subjected to things in real-life that need doing. Also, Scary_Fairy is the same person as Scary Write-bot 1500; she just changed her name.

If there are any issues in this, er, issue, formatting or otherwise, my apologies.
This always brightens up my day. biggrin
Scary Write-Bot 1500
This always brightens up my day. biggrin
That's good to know.
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.
Jasper Riddle
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.

Yeah, there's so much here that pisses me off I could have an entire section of the newspaper dedicated to my bitching alone.
Jahoclave
Jasper Riddle
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.

Yeah, there's so much here that pisses me off I could have an entire section of the newspaper dedicated to my bitching alone.
Here, being?
Lillian Ashe
Jahoclave
Jasper Riddle
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.

Yeah, there's so much here that pisses me off I could have an entire section of the newspaper dedicated to my bitching alone.
Here, being?
University.
Jahoclave
Lillian Ashe
Jahoclave
Jasper Riddle
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.

Yeah, there's so much here that pisses me off I could have an entire section of the newspaper dedicated to my bitching alone.
Here, being?
University.
Oh.
Lillian Ashe
Jahoclave
Lillian Ashe
Jahoclave
Jasper Riddle
Ah, the latest Press. BOI was pretty good, and it's nice to know Jaho's putting that ranting ability to good use.

Yeah, there's so much here that pisses me off I could have an entire section of the newspaper dedicated to my bitching alone.
Here, being?
University.
Oh.

Yeah, and my roomate just got back, decides to flip the air conditioner back onto ******** freezing from the fan, didn't even bother to ask me about it. So now I'm freezing my a** off. Though apparently, there's open rooms elsewhere, so I'm going to see if my one friend here wants to get away from his roomate who is a complete slob.

Snow Snowfriend

1,000 Points
  • Professional Snowfriend Architect 250
  • Dressed Up 200
  • Statustician 100
Thank you Lilly. whee

And the band contest was great. I had loads of fun. We didn't get home until 4 in the morning, five trophies in tow.

I see you put the Latest Gossip section back in. Are you fond of it? We could always keep it, if you like.
Serieve
Thank you Lilly. whee

And the band contest was great. I had loads of fun. We didn't get home until 4 in the morning, five trophies in tow.

I see you put the Latest Gossip section back in. Are you fond of it? We could always keep it, if you like.

...You're beginning to make me want to take up band again, Serieve.

As far as Latest Gossip section, I put it in when I feel like there's something worth putting in (or just something that I, er, need to remind myself of: In this issue, the event-link), or something I find vaguely interesting but not really rather important. Keep it or not, it's your call.
I'm glad your band contest went well, Serieve. biggrin


And, erm, I put a link to the Press, if that's okay, in my signature.
Scary Write-Bot 1500
I'm glad your band contest went well, Serieve. biggrin


And, erm, I put a link to the Press, if that's okay, in my signature.

Why wouldn't it be okay?
Who objects to free advertising? Besides, your staff. Which reminds me....
Lillian Ashe
Scary Write-Bot 1500
I'm glad your band contest went well, Serieve. biggrin


And, erm, I put a link to the Press, if that's okay, in my signature.

Why wouldn't it be okay?
Who objects to free advertising? Besides, your staff. Which reminds me....



Meh, I don't know. Insercurity issues; wanting to make sure this was at the top?

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